Triumphs of Caesar (Mantegna) in the context of "House of Gonzaga"

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⭐ Core Definition: Triumphs of Caesar (Mantegna)

The Triumphs of Caesar are a series of nine large paintings created by the Italian Renaissance artist Andrea Mantegna between 1484 and 1492 for the Gonzaga Ducal Palace, Mantua. They depict a triumphal military parade celebrating the victory of Julius Caesar in the Gallic Wars. Acknowledged from the time of Mantegna as his greatest masterpiece, they remain the most complete pictorial representation of a Roman triumph ever attempted and together they form the world's largest metric area of Italian Renaissance paintings outside Italy.

Acquired by Charles I in 1629, they now form part of the Royal Collection at Hampton Court Palace near London, where they normally occupy a special gallery, with a new continuous frame intended to capture their original setting, mounted into panelling.

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Triumphs of Caesar (Mantegna) in the context of Roman triumph

The Roman triumph (triumphus) was a civil ceremony and religious rite of ancient Rome, held to publicly celebrate and sanctify the success of a military commander who had led Roman forces to victory in the service of the state or, in some historical traditions, one who had successfully completed a foreign war.

On the day of his triumph, the general wore a crown of laurel and an all-purple, gold-embroidered triumphal toga picta ("painted" toga), regalia that identified him as near-divine or near-kingly. In some accounts, his face was painted red, perhaps in imitation of Rome's highest and most powerful god, Jupiter. The general rode in a four-horse chariot through the streets of Rome in unarmed procession with his army, captives, and the spoils of his war. At Jupiter's temple on the Capitoline Hill, he offered sacrifice and the tokens of his victory to Jupiter.

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