Trilogy in the context of "Library catalog"

⭐ In the context of a library catalog, how might a collection of related works, like a trilogy, be categorized?

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⭐ Core Definition: Trilogy

A trilogy is a set of three distinct works that are connected and can be seen either as a single work or as three individual works. They are commonly found in literature, film, and video games. Three-part works that are considered components of a larger work also exist, such as the triptych or the three-movement sonata, but they are not commonly referred to with the term "trilogy".

Most trilogies are works of fiction involving the same characters or setting, such as The Deptford Trilogy of novels by Robertson Davies, The Apu Trilogy of films by Satyajit Ray, and The Kingdom Trilogy of television miniseries from 1994 to 2022 by Lars von Trier. Other fiction trilogies are connected only by theme: for example, each film of Krzysztof Kieślowski's Three Colours trilogy explores one of the political ideals of the French Republic (liberty, equality, fraternity). Trilogies can also be connected in less obvious ways, such as The Nova Trilogy of novels by William S. Burroughs, each written using cut-up technique.

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👉 Trilogy in the context of Library catalog

A library catalog (or library catalogue in British English) is a register of all bibliographic items found in a library or group of libraries, such as a network of libraries at several locations. A catalog for a group of libraries is also called a union catalog. A bibliographic item can be any information entity (e.g., books, computer files, graphics, realia, cartographic materials, etc.) that is considered library material (e.g., a single novel in an anthology), or a group of library materials (e.g., a trilogy), or linked from the catalog (e.g., a webpage) as far as it is relevant to the catalog and to the users (patrons) of the library.

The earliest library catalogs were lists, handwritten or enscribed on clay tablets and later scrolls of parchment or paper. As codices (books with pages) replaced scrolls, so too did library catalogs become like handwritten ledgers and, in some cases, printed books. During the late 18th century through mid-19th century, cataloguing on paper slips or cards gradually replaced ledgers and books as the main medium for library catalogs, and in the 20th it was long ubiquitous. The card catalog was a familiar sight to library users for generations. Computerized cataloguing developed gradually from the mid-20th, and by the late 20th and early 21st, it had mostly replaced card catalogs. The advent of the web brought about ubiquitous use of online public access catalogs (OPACs). Some people still informally refer to the online catalog as a "card catalog".

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In this Dossier

Trilogy in the context of Aeschylus

Aeschylus (UK: /ˈskɪləs/, US: /ˈɛskɪləs/; Ancient Greek: Αἰσχύλος Aischýlos; c. 525/524 – c. 456/455 BC) was an ancient Greek tragedian often described as the father of tragedy. Academic knowledge of the genre begins with his work, and understanding of earlier Greek tragedy is largely based on inferences made from reading his surviving plays. According to Aristotle, he expanded the number of characters in the theatre and allowed conflict among them. Formerly, characters interacted only with the chorus.

Only seven of Aeschylus's estimated 70 to 90 plays have survived in complete form. There is a long-standing debate regarding the authorship of one of them, Prometheus Bound, with some scholars arguing that it may be the work of his son Euphorion. Fragments from other plays have survived in quotations, and more continue to be discovered on Egyptian papyri. These fragments often give further insights into Aeschylus's work. He was likely the first dramatist to present plays as a trilogy. His Oresteia is the only extant ancient example. At least one of his plays was influenced by the Persians' second invasion of Greece (480–479 BC). This work, The Persians, is one of very few classical Greek tragedies concerned with contemporary events, and the only one extant. The significance of the war with Persia was so great to Aeschylus and the Greeks that his epitaph commemorates his participation in the Greek victory at Marathon while making no mention of his success as a playwright.

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Trilogy in the context of Oresteia

The Oresteia (Ancient Greek: Ὀρέστεια) is a trilogy of Greek tragedies written by Aeschylus in the 5th century BC, concerning the murder of Agamemnon by Clytemnestra, the murder of Clytemnestra by Orestes, the trial of Orestes, the end of the curse on the House of Atreus, and the pacification of the Furies (also called Erinyes or Eumenides).

The Oresteia trilogy consists of three plays: Agamemnon, The Libation Bearers, and The Eumenides. It shows how the Greek gods interacted with the characters and influenced their decisions pertaining to events and disputes. The only extant example of an ancient Greek theatre trilogy, the Oresteia won first prize at the Dionysia festival in 458 BC. The principal themes of the trilogy include the contrast between revenge and justice, as well as the transition from personal vendetta to organized litigation. Oresteia originally included a satyr play, Proteus (Πρωτεύς), following the tragic trilogy, but all except a single line of Proteus has been lost.

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Trilogy in the context of The Persians

The Persians (Ancient Greek: Πέρσαι, romanizedPérsai, Latinised as Persae) is an ancient Greek tragedy written during the Classical period of Ancient Greece by the Greek tragedian Aeschylus. It is the second and only surviving part of a now otherwise lost trilogy that won the first prize at the dramatic competitions in Athens' City Dionysia festival in 472 BC, with Pericles serving as choregos. It's his oldest surviving play, and, by extension, the oldest surviving piece of ancient Greek drama.

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Trilogy in the context of Boyhood (novel)

Boyhood (Russian: Отрочество, Otrochestvo) is the second novel in Leo Tolstoy's autobiographical trilogy, following Childhood and followed by Youth. The novel was first published in the Russian literary journal Sovremennik in 1854.

Later in life, Tolstoy expressed his unhappiness with the book.

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Trilogy in the context of The Kingdom (miniseries)

Riget (English title: The Kingdom) is a Danish absurdist supernatural horror miniseries trilogy created by Lars von Trier and Tómas Gislason. Set in the neurosurgical ward of Copenhagen's Rigshospitalet (lit.'The National Hospital', nicknamed "Riget", lit.'the realm' or 'the kingdom'), each episode of the show follows the hospital's eccentric staff and patients as they encounter bizarre and sometimes supernatural phenomena. The series is notable for its wry humor, its muted sepia colour scheme, and the appearance of a chorus of dishwashers with Down syndrome, who discuss in intimate detail the strange occurrences in the hospital. The main theme's song was written by von Trier himself.

The first series of four episodes premiered from DR in November to December 1994, and was followed by a second series, Riget II, which aired in November 1997. A belated third and final series of five episodes, directed by von Trier and written by von Trier with Niels Vørsel, entitled Exodus, began filming in 2021 and was screened out of competition at the Venice Film Festival and at the Serial Killer festival in September 2022, and premiered on Nordic streaming platform Viaplay with the first two episodes on 9 October. The series premiered in select regions between 27 November and 25 December on streaming platform MUBI.

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