Trance in the context of Prayer

Religion is a range of social-cultural systems, including designated behaviors and practices, ethics, morals, beliefs, worldviews, texts, sanctified places, prophecies, or organizations, that generally relate humanity to supernatural, transcendental, and spiritual elements—although there is no scholarly consensus over what precisely constitutes a religion. It is an essentially contested concept. Different religions may or may not contain various elements ranging from the divine, sacredness, faith, and a supernatural being or beings.

The origin of religious belief is an open question, with possible explanations including awareness of individual death, a sense of community, and dreams. Religions have sacred histories, narratives, and mythologies, preserved in oral traditions, sacred texts, symbols, and holy places, that may attempt to explain the origin of life, the universe, and other phenomena. Religious practice may include rituals, sermons, commemoration or veneration (of deities or saints), sacrifices, festivals, feasts, trances, initiations, matrimonial and funerary services, meditation, prayer, music, art, dance, or public service.

The spirit world, according to spiritualism, is the world or realm inhabited by spirits, both good or evil of various spiritual manifestations. This spirit world is regarded as an external environment for spirits. The Spiritualism religious movement in the nineteenth century espoused a belief in an afterlife where an individual's awareness persists beyond death. Although independent from one another, both the spirit world and the physical world are in constant interaction. Through séances, trances, and other forms of mediumship, these worlds can consciously communicate with each other. The spirit world is sometimes described by mediums from the natural world in trance.

Shamanism is a spiritual practice that involves a practitioner (shaman) interacting with the spirit world through altered states of consciousness, such as trance. The goal of this is usually to direct spirits or spiritual energies into the physical world for the purpose of healing, divination, or to aid human beings in some other way.

Beliefs and practices categorized as shamanic have attracted the interest of scholars from a variety of disciplines, including anthropologists, archeologists, historians, religious studies scholars, philosophers, and psychologists. Hundreds of books and academic papers on the subject have been produced, with a peer-reviewed academic journal being devoted to the study of shamanism.

A vision is something seen in a dream, trance, or religious ecstasy, especially a supernatural appearance that usually conveys a revelation. Visions generally have more clarity than dreams, but traditionally fewer psychological connotations. Visions are known to emerge from spiritual traditions and could provide a lens into human nature and reality. Prophecy is often associated with visions.

Entheogens are psychoactive substances used in spiritual, religious, recreational, therapeutic, and experimental contexts to induce altered states of consciousness. While the term itself emphasizes ritual and sacred applications, the same substances are also frequently employed recreationally—sometimes in ways that diverge from or disregard traditional protocols. Hallucinogens such as the psilocybin found in so-called "magic" mushrooms have been used in sacred contexts since ancient times. Derived from a term meaning "generating the divine from within", entheogens are, in religious and shamanic contexts, intentionally employed in the attempt to facilitate experiences of transcendence, healing, divination, and mystical insight.

Entheogens have been used in religious rituals in the belief they aid personal spiritual development. Anthropological study has established that entheogens are used for religious, magical, shamanic, or spiritual purposes in many parts of the world. Civilizations such as the Maya and Aztecs used psilocybin mushrooms, peyote, and morning glory seeds in ceremonies meant to connect with deities and perform healing. They have traditionally been used to supplement diverse practices, such as transcendence, including healing, divination, meditation, yoga, sensory deprivation, asceticism, prayer, trance, rituals, chanting, imitation of sounds, hymns like peyote songs, drumming, and ecstatic dance.

A mandala (Sanskrit: मण्डल, romanized: maṇḍala, lit. 'circle', [ˈmɐɳɖɐlɐ]) is a geometric configuration of symbols. In various spiritual traditions, mandalas may be employed for focusing attention of practitioners and adepts, as a spiritual guidance tool, for establishing a sacred space and as an aid to meditation and trance induction. In the Eastern religions of Hinduism, Buddhism, Jainism and Shinto it is used as a map representing deities, or especially in the case of Shinto, paradises, kami or actual shrines.

Ecstatic dance is a form of dance in which the dancers, sometimes without the need to follow specific steps, release themselves to the rhythm and move freely as the music takes them, leading to trance and a feeling of ecstasy. The effects of ecstatic dance begin with ecstasy itself, which may be experienced in differing degrees. Dancers are described as feeling connected to others, and to their own emotions. The dance serves as a form of meditation, helping people to cope with stress and to attain serenity.

In the ancient and widespread practice of shamanism, ecstatic dance and rhythmic drumming are used to alter consciousness in spiritual practices. Ecstatic sacred dances are known also from religious traditions around the world. Modern ecstatic dance was revived by Gabrielle Roth in the 1970s and formalised in her 5Rhythms practice; it is now found in variants across the western world. Attitudes to ecstatic dance have varied widely. In the 1920s, musicologists such as Paul Nettl and Fritz Böhme considered it primitive and unrefined. More recently, it has been compared to dancing in raves and in club culture, the anthropologist Michael J. Winkelman and the musicologist Rupert Till finding in these forms elements of ritual, spirituality, and healing. The philosopher Gediminas Karoblis relates early ecstatic dance to religious ritual, and notes that all well-executed dance borders on ecstasy.

The Dionysian Mysteries were a ritual of ancient Greece and Rome which sometimes used psychoactive substances and other trance-inducing techniques (like dance and music) to remove inhibitions. It also provided some liberation for people marginalized by Greek society, such as slaves, outlaws, and non-citizens. In their final phase the Mysteries shifted their emphasis from a chthonic, underworld orientation to a transcendental, mystical one, with Dionysus changing his nature accordingly. By its nature as a mystery religion reserved for the initiated, many aspects of the Dionysian cult remain unknown and were lost with the decline of Greco-Roman polytheism. Modern knowledge is derived from descriptions, imagery and cross-cultural studies.

Mediumship is the practice of purportedly mediating communication between familiar spirits or spirits of the dead and living human beings. Practitioners are known as "mediums" or "spirit mediums". There are different types of mediumship or spirit channelling, including séance tables, trance, and ouija. The practice is associated with spiritualism and spiritism. A similar New Age practice is known as channeling.

Belief in psychic ability is widespread despite the absence of empirical evidence for its existence. Scientific researchers have attempted to ascertain the validity of claims of mediumship for more than one hundred years and have consistently failed to confirm them. As late as 2005, an experiment undertaken by the British Psychological Society reaffirmed that test subjects who self-identified as mediums demonstrated no mediumistic ability.

Hypnosis is a human condition involving focused attention (the selective attention/selective inattention hypothesis, SASI), reduced peripheral awareness, and an enhanced capacity to respond to suggestion.

There are competing theories explaining hypnosis and related phenomena. Altered state theories see hypnosis as an altered state of mind or trance, marked by a level of awareness different from the ordinary state of consciousness. In contrast, non-state theories see hypnosis as, variously, a type of placebo effect, a redefinition of an interaction with a therapist or a form of imaginative role enactment.

New-age is a genre of music intended to create artistic inspiration, relaxation, and optimism. It is used by listeners for yoga, massage, meditation, and reading as a method of stress management to bring about a state of ecstasy rather than trance, or to create a peaceful atmosphere in homes or other environments. It is sometimes associated with environmentalism and New Age spirituality; however, most of its artists have nothing to do with "New Age spirituality", and some even reject the term.

New-age music includes both acoustic forms, featuring instruments such as flutes, piano, acoustic guitar, non-Western acoustic instruments, while also engaging with electronic forms, frequently relying on sustained synth pads or long sequencer-based runs. New-age artists often combine these approaches to create electroacoustic music. Vocal arrangements were initially rare in the genre, but as it has evolved, vocals have become more common, especially those featuring Native American-, Sanskrit-, or Tibetan-influenced chants, or lyrics based on mythology such as Celtic legends.