Trajan in the context of "Diaspora Revolt"

Roman mythology is the body of myths of ancient Rome as represented in the literature and visual arts of the Romans, and is a form of Roman folklore. "Roman mythology" may also refer to the modern study of these representations, and to the subject matter as represented in the literature and art of other cultures in any period. Roman mythology draws from the mythology of the Italic peoples and shares mythemes with Proto-Indo-European mythology.

The Romans usually treated their traditional narratives as historical, even when these have miraculous or supernatural elements. The stories are often concerned with politics and morality, and how an individual's personal integrity relates to their responsibility to the community or Roman state. Heroism is an important theme. When the stories illuminate Roman religious practices, they are more concerned with ritual, augury, and institutions than with theology or cosmogony.

Marcus Aurelius Antoninus (/ɔːˈriːliəs/ or-EE-lee-əs, Latin: [ˈmaːrkʊs au̯ˈreːli.us antoːˈniːnʊs]; 26 April 121 – 17 March 180) was Roman emperor from 161 to 180 and a Stoic philosopher. He was a member of the Nerva–Antonine dynasty, the last of the rulers later known as the Five Good Emperors and the last emperor of the Pax Romana, an age of relative peace, calm, and stability for the Roman Empire lasting from 27 BC to 180 AD. He served as Roman consul in 140, 145, and 161.

Marcus Aurelius was the son of the praetor Marcus Annius Verus and his wife, Domitia Calvilla. He was related through marriage to the emperors Trajan and Hadrian. Marcus was three when his father died, and was raised by his mother and paternal grandfather. After Hadrian's adoptive son, Aelius Caesar, died in 138, Hadrian adopted Marcus's uncle Antoninus Pius as his new heir. In turn, Antoninus adopted Marcus and Lucius, the son of Aelius. Hadrian died that year, and Antoninus became emperor. Now heir to the throne, Marcus studied Greek and Latin under tutors such as Herodes Atticus and Marcus Cornelius Fronto. He married Antoninus's daughter Faustina in 145.

Hadrian (/ˈheɪdriən/ HAY-dree-ən; born Publius Aelius Hadrianus, 24 January 76 – 10 July 138) was Roman emperor from 117 to 138. Hadrian was born in Italica, in the present-day Andalusian province of Seville in southern Spain, an Italic settlement in Hispania Baetica; his gens Aelia came from the town of Hadria in eastern Italy. He was a member of the Nerva–Antonine dynasty.

Early in his political career, Hadrian married Vibia Sabina, grandniece of the ruling emperor, Trajan, and his second cousin once removed. The marriage and Hadrian's later succession as emperor were probably promoted by Trajan's wife Pompeia Plotina. Soon after his own succession, Hadrian had four leading senators unlawfully put to death, probably because they seemed to threaten the security of his reign; this earned him the senate's lifelong enmity. He earned further disapproval by abandoning Trajan's expansionist policies and territorial gains in Mesopotamia, Assyria, Armenia, and parts of Dacia. Hadrian preferred to invest in the development of stable, defensible borders and the unification of the Roman empire's disparate peoples and subjects. He was a promoter of philhellenism.

An empire is a realm controlled by an emperor or an empress and divided between a dominant center and subordinate peripheries. The center of the empire (sometimes referred to as the metropole) has political control over the peripheries. Within an empire, different populations may have different sets of rights and may be governed differently. The word "empire" derives from the Roman concept of imperium. Narrowly defined, an empire is a sovereign state whose head of state uses the title of "emperor" or "empress"; but not all states with aggregate territory under the rule of supreme authorities are called "empires" or are ruled by an emperor; nor have all self-described empires been accepted as such by contemporaries and historians (the Central African Empire of 1976 to 1979, and some Anglo-Saxon kingdoms in early England being examples).

There have been "ancient and modern, centralized and decentralized, ultra-brutal and relatively benign" empires. An important distinction has been between land empires made up solely of contiguous territories, such as the Achaemenid Empire, Roman Empire, the Mongol Empire, or the Russian Empire; and those - based on sea-power - which include territories that are remote from the 'home' country of the empire, such as the Dutch colonial empire, the Empire of Japan, the Chola Empire or the British Empire.

An artistic canon of body proportions (or aesthetic canon of proportion), in the sphere of visual arts, is a formally codified set of criteria deemed mandatory for a particular artistic style of figurative art. The word canon (from Ancient Greek κανών (kanṓn) 'measuring rod, standard') was first used for this type of rule in Classical Greece, where it set a reference standard for body proportions, to produce a harmoniously formed figure appropriate to depict gods or kings. Other art styles have similar rules that apply particularly to the representation of royal or divine personalities.

Trajan's Dacian Wars (101–102, 105–106) were two military campaigns fought between the Roman Empire and the Dacians under King Decebalus during the reign of Emperor Trajan. The conflicts stemmed from repeated Dacian incursions into the province of Moesia and from Rome's growing need for resources. Discontent with the treaty Domitian had concluded with Decebalus in 89 CE persisted, and Trajan, keen to assert himself as a soldier-emperor, took the opportunity to reassert Roman authority.

Trajan's First Dacian War began in 101 CE, when the emperor led a major offensive across the Danube using a pontoon bridge constructed by his engineer Apollodorus of Damascus, who also cut a road through the river cliffs. The Romans won a series of victories, including at Tapae and Adamclisi. Before Trajan could capture the Dacian capital, Sarmizegetusa, Decebalus sought peace. The treaty forced him to surrender territory and engineers provided by Domitian, return equipment, accept Roman garrisons, and refrain from crossing the Danube.

The Roman Theatre of Mérida is a Roman theatre in the Roman colonia of Emerita Augusta –present-day Mérida, Spain–, capital of the Roman province of Lusitania. Its construction was promoted by the consul Vipsanius Agrippa and was built in 16–15 BCE. It was used for Roman theatrical performances during ancient Rome. Since 1933, it houses the International Festival of Classical Theatre of Mérida [es].

The theatre has undergone several renovations, notably at the end of the 1st century or early 2nd century CE (possibly during the reign of Emperor Trajan), when the current facade of the scaenae frons was erected, and another in the time of Constantine I (between 330 and 340 CE), which introduced new decorative-architectural elements and a walkway around the monument. Following the theatre's abandonment in Late Antiquity, it was slowly covered with earth, with only the upper tiers of seats (summa cavea) remaining visible. In local folklore the site was referred to as "The Seven Chairs", where, according to tradition, several Moorish kings sat to decide the fate of the city.

The Nabataeans, also spelled Nabateans (/ˌnæbəˈtiːənz/; Nabataean Aramaic / Nabataean Arabic: 𐢕𐢃𐢋𐢈‎, romanized: NBṬW, vocalized: Nabāṭū; Arabic: الأنباط‎, romanized: al-ʾanbāṭ), were an ancient Arab people who inhabited northern Arabia and the southern Levant. Their settlements—most prominently the assumed capital city of Raqmu (present-day Petra, Jordan)—gave the name Nabatene (Ancient Greek: Ναβατηνή, romanized: Nabatēnḗ) to the Arabian borderland that stretched from the Euphrates to the Red Sea. The Nabateans emerged as a distinct civilization and political entity between the 4th and 2nd centuries BC, with their kingdom centered around a loosely controlled trading network that brought considerable wealth and influence across the ancient world.

Described as fiercely independent by contemporary Greco-Roman accounts, the Nabataeans were annexed into the Roman Empire by Emperor Trajan in 106 AD. Nabataeans' individual culture, easily identified by their characteristic finely potted painted ceramics, was adopted into the larger Greco-Roman culture. They converted to Christianity during the Byzantine period. They have been described as one of the most gifted peoples of the ancient world and one of the "most unjustly forgotten".