Traditional Chinese character in the context of "Simplified characters"

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⭐ Core Definition: Traditional Chinese character

Traditional Chinese characters are a standard set of Chinese character forms used to write Chinese languages. In Taiwan, the set of traditional characters is regulated by the Ministry of Education and standardized in the Standard Form of National Characters. These forms were predominant in written Chinese until the middle of the 20th century, when various countries that use Chinese characters began standardizing simplified sets of characters, often with characters that existed before as well-known variants of the predominant forms.

Simplified characters as codified by the People's Republic of China are predominantly used in mainland China, Malaysia, and Singapore. "Traditional" as such is a retronym applied to non-simplified character sets in the wake of widespread use of simplified characters. Traditional characters are commonly used in Taiwan, Hong Kong, and Macau, as well as in most overseas Chinese communities outside of Southeast Asia. As for non-Chinese languages written using Chinese characters, Japanese kanji include many simplified characters known as shinjitai standardized after World War II, sometimes distinct from their simplified Chinese counterparts. Korean hanja, still used to a certain extent in South Korea, remain virtually identical to traditional characters, with variations between the two forms largely stylistic.

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Traditional Chinese character in the context of Imperial Music Bureau

The Music Bureau (Traditional Chinese: 樂府; Simplified Chinese: 乐府; Hanyu Pinyin: yuèfǔ, and sometimes known as the "Imperial Music Bureau") served in the capacity of an organ of various imperial government bureaucracies of China: discontinuously and in various incarnations, the Music Bureau was charged directly, by the emperor (or other monarchical ruler), or indirectly, through the royal (or imperial) government to perform various tasks related to music, poetry, entertainment, or religious worship. These tasks included both musical and lyrical research and development, and also directing performances.

The existence of a Music Bureau was typical of various Chinese dynasties, though the Music Bureau's prominence and influence may have peaked during the reign of Han dynasty emperor Wu, who was especially interested in such activities and engaged himself accordingly. The mission of the Music Bureau was concerned with poetry, music, and their live performances, because these concepts were not really considered to be distinct: lyrics are a part of music, and traditional Chinese poems, particularly shi, were considered to be suitable for chanting or singing, and poetic verses in accompaniment with instrumental music were often presented together as integral parts of performances. In the case of the Music Bureau, performances were oriented towards religious rites or entertainment in service to the emperor.

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Traditional Chinese character in the context of Bing Thom

Bing Wing Thom, CM (Chinese: 譚秉榮; 8 December 1940 – 4 October 2016) was a Canadian architect and urban designer.

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