Tomb of Philip the Bold in the context of Carthusian


Tomb of Philip the Bold in the context of Carthusian

⭐ Core Definition: Tomb of Philip the Bold

The Tomb of Philip the Bold is a funerary monument commissioned in 1378 by the Duke of Burgundy Philip the Bold (d. 1404) for his burial at the Chartreuse de Champmol, the Carthusian monastery he built on the outskirts of Dijon, in today's France. The construction was overseen by Jean de Marville, who designed the tomb and oversaw the building of the charterhouse. Marville worked on the tomb from 1384, but progressed slowly until his death in 1389. That year Claus Sluter took over design of Champmol, including the tomb. Philip died in 1404 with his funerary monument still incomplete. After Sluter's death c. 1405/06, his nephew Claus de Werve was hired to complete the project, which he finished in 1410.

The monument shows the duke recumbent on a black marble slab with his eyes open, his hands clasped, and his helmet held by two angels as a lion rests at his feet. Below him, positioned in alternating double archways and triangular niches, pleurants (mourning figures) walk as if part of a funeral procession. The figures were designed by Sluter and became widely influential in the following decades. Philip's son, John the Fearless (d. 1419) commissioned a similar tomb and set of figures for both himself and his wife, Margaret of Bavaria.

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Tomb of Philip the Bold in the context of Register (art)

In art and archaeology, sculpture and painting, a register is a horizontal level in a work that consists of several levels arranged one above the other, especially where the levels are clearly separated by lines. Modern comic books typically use similar conventions. It is thus comparable to a row, or a line in modern texts. In the study of ancient writing, such as cuneiform and Egyptian hieroglyphs, "register" may be used of vertical compartments like columns containing writing that are arranged side by side and separated by lines, especially in cylinder seals, which often mix text and images. Normally, when dealing with images it only refers to row compartments stacked vertically.

The use of registers is common in Ancient Egyptian art, from the Narmer Palette onwards, and in medieval art in large frescos and illuminated manuscripts. Narrative art, especially covering the lives of sacred figures, is often presented as a sequence of small scenes arranged in registers.

View the full Wikipedia page for Register (art)
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