Tolkien's artwork in the context of Bag End


Tolkien's artwork in the context of Bag End

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⭐ Core Definition: Tolkien's artwork

Tolkien's artwork was a key element of his creativity from the time when he began to write fiction. A professional philologist, J. R. R. Tolkien prepared a wide variety of materials to support his fiction, including illustrations for his Middle-earth fantasy books, facsimile artefacts, more or less "picturesque" maps, calligraphy, and sketches and paintings from life. Some of his artworks combined several of these elements.

In his lifetime, some of his artworks were included in his novels The Hobbit and The Lord of the Rings; others were used on the covers of different editions of these books. Posthumously, collections of his artworks have been published, and academics have begun to evaluate him as an artist as well as an author.

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👉 Tolkien's artwork in the context of Bag End

Bag End is the underground dwelling of the Hobbits Bilbo and Frodo Baggins in J. R. R. Tolkien's fantasy novels The Hobbit and The Lord of the Rings. From there, both Bilbo and Frodo set out on their adventures, and both return there, for a while. As such, Bag End represents the familiar, safe, comfortable place which is the antithesis of the dangerous places that they visit. It forms one end of the main story arcs in the novels, and since the Hobbits return there, it also forms an end point in the story circle in each case.

Tolkien described himself as a Hobbit in all but size. Scholars have noted that Bag End is a vision of Tolkien's ideal home, and effectively an expression of character. Peter Jackson built an elaborate Hobbiton film set including a detailed Bag End in New Zealand for his The Lord of the Rings film series.

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Tolkien's artwork in the context of Constructing The Lord of the Rings

The task of constructing The Lord of the Rings was long and complex, lasting from its start in 1937, soon after the success of J. R. R. Tolkien's children's book The Hobbit, until the novel's publication in 1954–1955. Tolkien began with no idea where the story would go, and made several false starts before the tale of the One Ring emerged. The names of the characters, including the protagonists, of The Lord of the Rings changed many times. Tolkien stopped writing repeatedly, sometimes for years at a time. Inspiration, when it came, was based on practical work with maps, names, and languages that Tolkien incorporated in the novel. He illustrated places described in the text, updating drawings and text together until he felt they were correct.

View the full Wikipedia page for Constructing The Lord of the Rings
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