J. R. R. Tolkien's maps, depicting his fictional Middle-earth and other places in his legendarium, helped him with plot development, guided the reader through his often complex stories, and contributed to the impression of depth and worldbuilding in his writings.
Tolkien stated that he began with maps and developed his plots from them, but that he also wanted his maps to be picturesque. Later fantasy writers also often include maps in their novels.
The task of constructing The Lord of the Rings was long and complex, lasting from its start in 1937, soon after the success of J. R. R. Tolkien's children's book The Hobbit, until the novel's publication in 1954–1955. Tolkien began with no idea where the story would go, and made several false starts before the tale of the One Ring emerged. The names of the characters, including the protagonists, of The Lord of the Rings changed many times. Tolkien stopped writing repeatedly, sometimes for years at a time. Inspiration, when it came, was based on practical work with maps, names, and languages that Tolkien incorporated in the novel. He illustrated places described in the text, updating drawings and text together until he felt they were correct.
The impression of depth in The Lord of the Rings is an aesthetic effect deliberately sought by its author, J. R. R. Tolkien. It was intended to give the reader the feeling that the work had "deep roots in the past", and hence that it was attractively authentic.
The effect was constructed on at least four factors, namely the enormous scale of The Lord of the Rings and the amount of background detail, including maps and genealogies; the apparently casual and incomplete mentions of this background; multiple inconsistent accounts, as in real history; and writing different texts in varying styles.
Tolkien's legendarium is the body of J. R. R. Tolkien's mythopoeic writing, unpublished in his lifetime, that forms the background to his The Lord of the Rings, and which his son Christopher summarized in his compilation of The Silmarillion and documented in his 12-volume series The History of Middle-earth. The legendarium's origins reach back to 1914, when Tolkien began writing poems and story sketches, drawing maps, and inventing languages and names as a private project to create a mythology for England. The earliest story, "The Voyage of Earendel, the Evening Star", is from 1914; he revised and rewrote the legendarium stories for most of his adult life.
The Hobbit (1937), Tolkien's first published novel, was not originally part of the larger mythology but became linked to it. Both The Hobbit and The Lord of the Rings (1954 and 1955) are set in the Third Age of Middle-earth, while virtually all of his earlier writing had been set in the first two ages of the world. The Lord of the Rings occasionally alludes to figures and events from the legendarium to create an impression of depth, but such ancient tales are depicted as being remembered by few until the story makes them relevant.
Tolkien's artwork was a key element of his creativity from the time when he began to write fiction. A professional philologist, J. R. R. Tolkien prepared a wide variety of materials to support his fiction, including illustrations for his Middle-earth fantasy books, facsimile artefacts, more or less "picturesque" maps, calligraphy, and sketches and paintings from life. Some of his artworks combined several of these elements.
In his lifetime, some of his artworks were included in his novels The Hobbit and The Lord of the Rings; others were used on the covers of different editions of these books. Posthumously, collections of his artworks have been published, and academics have begun to evaluate him as an artist as well as an author.
Christopher John Reuel Tolkien (21 November 1924 – 16 January 2020) was an English and naturalised French academic editor and writer. The son of the author and academic J. R. R. Tolkien, he edited 24 volumes based on his father's posthumously published work, including The Silmarillion and the 12-volume series The History of Middle-Earth, a task that took 45 years. He also drew the original maps for his father's fantasy novel The Lord of the Rings.
Outside his father's unfinished works, he edited three tales by Geoffrey Chaucer (with Nevill Coghill) and his father's translation of Sir Gawain and the Green Knight. Tolkien scholars have remarked that he used his skill as a philologist, demonstrated in his editing of those medieval works, to research, collate, edit, and comment on his father's Middle-earth writings exactly as if they were real-world legends. The effect is both to frame his father's works and to insert himself as a narrator. They have further noted that his additions to The Silmarillion, such as to fill in gaps, and his composition of the text in his own literary style, place him as an author as well as an editor of that book.