Thrust stage in the context of "Theatre (building)"

In theatre and performing arts, the stage (sometimes referred to as the deck in stagecraft) is a designated space for the performance of productions. The stage serves as a space for actors or performers and a focal point (the screen in cinema theaters) for the audience. As an architectural feature, the stage may consist of a platform (often raised) or series of platforms. In some cases, these may be temporary or adjustable but in theaters and other buildings devoted to such productions, the stage is often a permanent feature.

There are several types of stages that vary as to the usage and the relation of the audience to them. The most common form found in the West is the proscenium stage. In this type, the audience is located on one side of the stage with the remaining sides hidden and used by the performers and technicians. Thrust stages may be similar to proscenium stages but with a platform or performance area that extends into the audience space so that the audience is located on three sides. In theatre in the round, the audience is located on all four sides of the stage. The fourth type of stage incorporates created and found stages which may be constructed specifically for a performance or may involve a space that is adapted as a stage.

The English Renaissance theatre or Elizabethan theatre was the theatre of England from 1558 to 1642. Its most prominent playwrights were William Shakespeare, Christopher Marlowe and Ben Jonson.

A theater, theatre or playhouse, is a structure where theatrical works, performing arts, and musical concerts are presented. The theater building serves to define the performance and audience spaces. The facility usually is organized to provide support areas for performers, the technical crew and the audience members, as well as the stage where the performance takes place.

There are as many types of theaters as there are types of performance. Theaters may be built specifically for certain types of productions, they may serve for more general performance needs or they may be adapted or converted for use as a theater. They may range from open-air amphitheaters to ornate, cathedral-like structures to simple, undecorated rooms or black box theaters. A thrust stage as well as an arena stage are just a few more examples of the multitude of stages where plays can occur. A theatre used for opera performances is called an opera house. A theater is not required for performance (as in environmental theater or street theater), this article is about structures used specifically for performance. Some theaters may have a fixed acting area (in most theaters this is known as the stage), while some theaters, such as black box theaters have movable seating allowing the production to create a performance area suitable for the production.

A proscenium (Ancient Greek: προσκήνιον, proskḗnion) is the virtual vertical plane of space in a theatre, usually surrounded on the top and sides by a physical proscenium arch (whether or not truly "arched") and on the bottom by the stage floor itself, which serves as the frame into which the audience observes from a more or less unified angle the events taking place upon the stage during a theatrical performance. The concept of the fourth wall of the theatre stage space that faces the audience is essentially the same.

It can be considered as a social construct which divides the actors and their stage-world from the audience which has come to witness it. But since the curtain usually comes down just behind the proscenium arch, it has a physical reality when the curtain is down, hiding the stage from view. The same plane also includes the drop, in traditional theatres of modern times, from the stage level to the "stalls" level of the audience, which was the original meaning of the proscaenium in Roman theatres, where this mini-facade was given more architectural emphasis than is the case in modern theatres. A proscenium stage is structurally different from a thrust stage or an arena stage, as explained below.

The Swan was a theatre in Southwark, London, England, built in 1595 on top of a previously standing structure, during the first half of William Shakespeare's career. It was the fifth in the series of large public playhouses of London, after James Burbage's The Theatre (1576) and Curtain (1577), the Newington Butts Theatre (between 1575 and 1577) and Philip Henslowe's Rose (1587–88).

The Swan Theatre was located in the manor of Paris Gardens, on the west end of the Bankside district of Southwark, across the Thames River from the City of London. It was at the northeast corner of the Paris Garden estate nearest to London Bridge that Francis Langley had purchased in May 1589 at a distance of four hundred and twenty-six feet from the river's edge. Playgoers could arrive also by water landing at the Paris Garden Stairs or the Falcon Stairs, both short walking distances from the theatre.

The Vivian Beaumont Theater is a Broadway theater in the Lincoln Center complex at 150 West 65th Street on the Upper West Side of Manhattan in New York City, New York, U.S. Operated by the nonprofit Lincoln Center Theater (LCT), the Beaumont is the only Broadway theater outside the Theater District that surrounds Times Square. Named after heiress and actress Vivian Beaumont Allen, the theater was one of the last structures designed by modernist architect Eero Saarinen. Broadway scenic designer Jo Mielziner oversaw the design of the interior. The theater shares a building with the New York Public Library for the Performing Arts and contains two off-Broadway venues, the Mitzi E. Newhouse Theater and the Claire Tow Theater.

The Beaumont occupies the southern and western sides of its building's first and second floors, while the library wraps above and on top of it. The main facade faces Lincoln Center's plaza and is made of glass and steel, with a travertine attic above. The main auditorium has approximately 1,080 seats across two levels, arranged in a steeply sloped semicircular layout. The Beaumont differs from traditional Broadway theaters because of its use of a flexible stage, which could be extended with a thrust stage of varying length. The layout led to complaints about inferior sightlines and acoustics in the theater's early years. The 299-seat Mitzi E. Newhouse Theater is in the basement and the 112-seat Claire Tow Theater is on the roof.