Thousand Character Classic in the context of "East Asian Gothic typeface"

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⭐ Core Definition: Thousand Character Classic

The Thousand Character Classic (Chinese: 千字文; pinyin: Qiānzì wén), also known as the Thousand Character Text, is a Chinese poem that has been used as a primer for teaching Chinese characters to children from the sixth century onward. It contains exactly one thousand characters, each used only once, arranged into 250 lines of four characters apiece and grouped into four line rhyming stanzas to facilitate easy memorization. It is sung, akin to alphabet songs for phonetic writing systems. Along with the Three Character Classic and the Hundred Family Surnames, it formed the basis of traditional literacy training in the Sinosphere.

The first line is Tian di xuan huang (traditional Chinese: 天地玄黃; simplified Chinese: 天地玄黄; pinyin: Tiāndì xuán huáng; Jyutping: Tin1 dei6 jyun4 wong4; lit. 'Heaven earth dark yellow') and the last line, Yan zai hu ye (焉哉乎也; Yān zāi hū yě; Yin1 zoi1 fu4 jaa5) explains the use of the grammatical particles yan, zai, hu, and ye.

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👉 Thousand Character Classic in the context of East Asian Gothic typeface

In East Asian writing systems, gothic typefaces (simplified Chinese: 黑体; traditional Chinese: 黑體; pinyin: hēitǐ; Jyutping: haak1 tai2; Japanese: ゴシック体, romanizedgoshikku-tai; Korean: 돋움, romanizeddodum, 고딕체 godik-che) are a type style characterized by strokes of even thickness and lack of decorations, akin to sans serif styles in Western typography. It is the second most commonly used style in East Asian typography, after Ming.

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Thousand Character Classic in the context of Hundred Family Surnames

The Hundred Family Surnames (Chinese: 百家姓), commonly known as Bai Jia Xing, also translated as Hundreds of Chinese Surnames, is a classic Chinese text composed of common Chinese surnames. An unknown author compiled the book during the Song dynasty (960–1279). The book lists 504 surnames. Of these, 444 are single-character surnames and 60 are double-character surnames. About 800 names have been derived from the original ones.

In the dynasties following the Song, the 13th-century Three Character Classic, the Hundred Family Surnames, and the 6th-century Thousand Character Classic came to be known as San Bai Qian (Three, Hundred, Thousand), from the first character in their titles. They served as instructional books for children, becoming the almost universal introductory literary texts for students (almost exclusively boys) from elite backgrounds and even for a number of ordinary villagers. Each text was available in many versions, printed cheaply and available to all since they did not become superseded. When a student had memorized all three, he had a knowledge of roughly 2,000 characters. Since Chinese did not use an alphabet, this was an effective, though time-consuming, way of studying character-recognition before going on to understanding texts and writing characters.

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