Thomas Carlyle in the context of "German Romanticism"

The great man theory is an approach to the study of history popularised in the 19th century according to which history can be largely explained by the impact of great men, or heroes: highly influential and unique individuals who, due to their natural attributes, such as superior intellect, heroic courage, extraordinary leadership abilities, or divine inspiration, have a decisive historical effect. The theory is primarily attributed to the Scottish essayist, historian, and philosopher Thomas Carlyle, who gave a series of lectures on heroism in 1840, later published as On Heroes, Hero-Worship, & the Heroic in History, in which he states:

This theory is usually contrasted with people's history, which emphasizes the life of the masses creating overwhelming waves of smaller events which carry leaders along with them. Another contrasting school is historical materialism.

James Anthony Froude FRSE (/fruːd/ FROOD; 23 April 1818 – 20 October 1894) was an English historian, novelist, biographer, and editor of Fraser's Magazine. From his upbringing amidst the Anglo-Catholic Oxford Movement, Froude intended to become a clergyman, but doubts about the doctrines of the Anglican church, published in his scandalous 1849 novel The Nemesis of Faith, drove him to abandon his religious career. Froude turned to writing history, becoming one of the best-known historians of his time for his History of England from the Fall of Wolsey to the Defeat of the Spanish Armada.

Inspired by Thomas Carlyle, Froude's historical writings were often fiercely polemical, earning him a number of outspoken opponents. Froude continued to be controversial until his death for his Life of Carlyle, which he published along with personal writings of Thomas and Jane Welsh Carlyle. These publications led to persistent gossip and discussion of the couple's marital problems.

Victorian literature is English literature during the reign of Queen Victoria (1837–1901). In the Victorian era, the novel became the leading literary genre in English. English writing from this era reflects the major transformations in most aspects of English life, from scientific, economic, and technological advances to changes in class structures and the role of religion in society. The number of new novels published each year increased from 100 at the start of the period to 1000 by the end of it. Famous novelists from this period include Charles Dickens, William Makepeace Thackeray, the three Brontë sisters (Charlotte, Emily, and Anne Brontë), Elizabeth Gaskell, George Eliot (Mary Ann Evans), Thomas Hardy, and Rudyard Kipling.

The Romantic period was a time of abstract expression and inward focus; during the Victorian era, writers focused on social issues. Writers such as Thomas Carlyle called attention to the dehumanizing effects of the Industrial Revolution and what Carlyle called the "Mechanical Age". This awareness inspired the subject matter of other authors, like poet Elizabeth Barrett Browning and novelists Charles Dickens and Thomas Hardy. Barrett's works on child labor cemented her success in a male-dominated world where women writers often had to use masculine pseudonyms. Dickens employed humor and an approachable tone while addressing social problems such as wealth disparity. Hardy used his novels to question religion and social structures.

Self-consciousness is a heightened sense of awareness of oneself. Historically, "self-consciousness" was synonymous with "self-awareness", referring to a state of awareness that one exists and that one has consciousness. While "self-conscious" and "self-aware" are still sometimes used interchangeably, particularly in philosophy, "self-consciousness" has commonly come to refer to a preoccupation with oneself, especially with how others might perceive one's appearance or one's actions. An unpleasant feeling of self-consciousness may occur when one realizes that one is being watched or observed, the feeling that "everyone is looking" at oneself. Some people are habitually more self-conscious than others. Unpleasant feelings of self-consciousness sometimes become associated with shyness or paranoia.

Notable opponents of self-consciousness include Thomas Carlyle.

On Heroes, Hero-Worship, & the Heroic in History is a book by the Scottish essayist, historian and philosopher Thomas Carlyle, published by James Fraser, London, in 1841. It is a collection of six lectures given in May 1840 about prominent historical figures. It lays out Carlyle's belief in the importance of heroic leadership.

Metafiction is a form of fiction that emphasizes its own narrative structure in a way that inherently reminds the audience that they are reading or viewing a fictional work. Metafiction is self-conscious about language, literary form, and storytelling, and works of metafiction directly or indirectly draw attention to their status as artifacts. Metafiction is frequently used as a form of parody or a tool to undermine literary conventions and explore the relationship between literature and reality, life and art.

Although metafiction is most commonly associated with postmodern literature that developed in the mid-20th century, its use can be traced back to much earlier works of fiction, such as The Canterbury Tales (Geoffrey Chaucer, 1387), Don Quixote Part Two (Miguel de Cervantes, 1615), Chymical Wedding of Christian Rosenkreutz (Johann Valentin Andreae, 1617), The Cloud Dream of the Nine (Kim Man-jung, 1687), The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759), Sartor Resartus (Thomas Carlyle, 1833–34), and Vanity Fair (William Makepeace Thackeray, 1847).

The philosophical ideas and thoughts of Edmund Burke, Thomas Carlyle, Johann Gottlieb Fichte, Friedrich Wilhelm Joseph Schelling, Søren Kierkegaard, Arthur Schopenhauer and Richard Wagner have been frequently described as Romantic.

The Nemesis of Faith is an epistolary philosophical novel by James Anthony Froude published in 1849. Partly autobiographical, the novel depicts the causes and consequences of a young priest's crisis of faith. Like many of his contemporaries, Froude came to question his Christian faith in light of early nineteenth century developments in history, theology, and science. Froude was particularly influenced by the Catholic teachings of the Oxford Movement and by the new approach to religious scholarship developed by the German Higher Critics.

The novel consists primarily of protagonist Markham Sutherland's account of the development of his religious ideas and doubts, followed by a brief narrative in which Sutherland's lack of faith leads him and his lover to tragic ends. The novel was condemned by English religious figures and publicly burned by William Sewell; this led to Froude's resignation of his fellowship at Oxford University.The novel's reception amongst literary reviewers was mixed; while writers such as George Eliot professed profound admiration, others such as Thomas Carlyle were harshly critical. Although no longer widely read as a literary work, it remains significant in intellectual history for its accounts of Victorian scepticism and the Oxford Movement.