A thimble is a small pitted cup worn on the finger that protects it from being pricked or poked by a needle while sewing. The Old English word þȳmel, the ancestor of thimble, is derived from Old English þūma, the ancestor of the English word thumb.
A thimble is a small pitted cup worn on the finger that protects it from being pricked or poked by a needle while sewing. The Old English word þȳmel, the ancestor of thimble, is derived from Old English þūma, the ancestor of the English word thumb.
Woodturning is the craft of using a wood lathe with hand-held tools to cut a shape that is symmetrical around the axis of rotation. Like the potter's wheel, the wood lathe is a mechanism that can generate a variety of forms. The operator is known as a turner, and the skills needed to use the tools were traditionally known as turnery. The skills to use the tools by hand, without a fixed point of contact with the wood, distinguish woodturning and the wood lathe from the machinist's lathe, or metal-working lathe.
Items made on the lathe include tool handles, candlesticks, egg cups, knobs, lamps, rolling pins, cylindrical boxes, Christmas ornaments, bodkins, knitting needles, needle cases, thimbles, pens, chessmen, spinning tops; legs, spindles, and pegs for furniture; balusters and newel posts for architecture; baseball bats, hollow forms such as woodwind musical instruments, urns, sculptures; bowls, platters, and chair seats. Industrial production has replaced many of these products from the traditional turning shop. However, the wood lathe is still used for decentralized production of limited or custom turnings. A skilled turner can produce a wide variety of objects with five or six simple tools. The tools can be reshaped easily for the task at hand.
View the full Wikipedia page for WoodturningThe epinetron (Greek: ἐπίνητρον, pl.: epinetra, ἐπίνητρα; "distaff"); Beazley also called them onoi, sg.: onos) was a shape of Attic pottery worn on the thighs of women during the preparation of wool, not unlike a thimble for the thigh. Decorated epinetra were placed on the graves of unmarried girls, or dedicated at temples of female deities.
Because of the strong association between wool-working and the Ancient Greek ideal of women and wives—as in the case of Penelope weaving in the Odyssey—it is a shape associated with the wedding.
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