Theatrical properties in the context of "Oliver!"

Stagecraft is a technical aspect of theatrical, film, and video production. It includes constructing and rigging scenery; hanging and focusing of lighting; design and procurement of costumes; make-up; stage management; audio engineering; and procurement of props. Stagecraft is distinct from the wider umbrella term of scenography. Considered a technical rather than an artistic field, it is primarily the practical implementation of a scenic designer's artistic vision.

In its most basic form, stagecraft may be executed by a single person (often the stage manager of a smaller production) who arranges all scenery, costumes, lighting, and sound, and organizes the cast. Regional theaters and larger community theaters will generally have a technical director and a complement of designers, each of whom has a direct hand in their respective designs.Within significantly larger productions, for example a modern Broadway show, effectively bringing a show to opening night requires the work of skilled carpenters, painters, electricians, stagehands, stitchers, wigmakers, and the like. Modern stagecraft is highly technical and specialized: it comprises many sub-disciplines and a vast trove of history and tradition.

In theatre, a thrust stage (a platform stage or open stage) is one that extends into the audience on three sides and is connected to the backstage area by its upstage end. A thrust has the benefit of greater intimacy between performers and the audience than a proscenium, while retaining the utility of a backstage area. This is in contrast to a theatre in the round, which is exposed on all sides to the audience, is without a backstage, and relies entirely on entrances in the auditorium or from under the stage. Entrances onto a thrust are most readily made from backstage, although some theatres provide for performers to enter through the audience using vomitory entrances. As with an arena, the audience in a thrust stage theatre may view the stage from three or more sides. Because the audience can view the performance from a variety of perspectives, it is usual for the blocking, props and scenery to receive thorough consideration to ensure that no perspective is blocked from view. A high-backed chair, for instance, when placed stage right, could create a blind spot in the stage left action.

Prop comedy is a comedy genre in which performers use humorous objects, or conventional objects in humorous ways. The stages and films term "prop", an abbreviation of "property", refers to any object an actor handles in the course of a performance. Though some form of prop comedy has likely existed as long as there have been comedians, the genre reached its zenith in the vaudeville era. The vaudeville team Olsen and Johnson used prop comedy extensively in their long running Broadway revue Hellzapoppin.

A prop comic is a comedian who uses prop comedy. Prop comics are sometimes looked down upon by other comedians, and the term is sometimes used derisively. However, some, such as Tommy Cooper, rose to critical acclaim as their props revolved around a gimmick (such as Cooper's magic) and the comedian's character around that gimmick.