Theatrical in the context of "Actors"

Dialogue (sometimes spelled dialog in American English) is an interactive communication between two or more people, and a literary and theatrical form that depicts such an exchange. As a philosophical or didactic device, it is chiefly associated in the West with the Socratic dialogue as developed by Plato, but antecedents are also found in other traditions including Indian literature.

A wide range of movements existed in the theatrical culture of Europe and the United States in the 19th century. In the West, they include Romanticism, melodrama, the well-made plays of Scribe and Sardou, the farces of Feydeau, the problem plays of Naturalism and Realism, Wagner's operatic Gesamtkunstwerk, Gilbert and Sullivan's plays and operas, Wilde's drawing-room comedies, Symbolism, and proto-Expressionism in the late works of August Strindberg and Henrik Ibsen.

Theatrical scenery is that which is used as a setting for a theatrical production. Scenery may be just about anything, from a single chair to an elaborately re-created street, no matter how large or how small, whether the item was custom-made or is the genuine item, appropriated for theatrical use.

Interactive theatre is a presentational or theatrical form or work that breaks the "fourth wall" that traditionally separates the performer from the audience both physically and verbally.

In traditional theatre, performance is limited to a designated stage area and the action of the play unfolds without audience members, who function as passive observers. Conversely, in interactive theatre, the performance engages directly with audience members, making them active participants in the piece. Interactive theatre often goes hand in hand with immersive theatre, which brings the audience into the same playing space as the performers. They may be asked to hold props, supply performance suggestions (as in improvisational theatre), share the action's real-world (non-theatrical) setting (as in site-specific theatre and immersive theatre), or become characters in the performance. They may also be asked to participate in altering the course of the play by collectively voting to steer the plot in a new direction, as with Augusto Boal's forum theatre. In therapeutic and educational settings, they may even be invited to discuss pertinent issues with the performers.

Rudolf (von) Laban, also known as Rudolph von Laban (Hungarian: Lábán Rudolf; 15 December 1879 – 1 July 1958), was an Austro-Hungarian dance artist, choreographer, and movement theorist. He is considered a "founding father of expressionist dance" and a pioneer of modern dance. His theoretical innovations included Laban movement analysis (a way of documenting human movement) and Labanotation (a movement notation system), which paved the way for further developments in dance notation and movement analysis. He initiated one of the main approaches to dance therapy. His work on theatrical movement has also been influential. He attempted to apply his ideas to several other fields, including architecture, education, industry, and management.

Following a dress rehearsal of Laban's last choral work, Of the Warm Wind and New Joy, which he had prepared for the 1936 Summer Olympics in Berlin, Joseph Goebbels cancelled the piece after which time Laban fell out of favor with the National Socialist government. He eventually left Germany for England in 1937 after four years of working with the Nazi regime. Between 1945 and 1946, he and his long-term collaborator and former student Lisa Ullmann founded the Laban Art of Movement Guild in London, and the Art of Movement Studio in Manchester, where he worked until his death. The Trinity Laban Conservatoire of Music and Dance in London has continued this legacy.

Cantastoria (Italian: [ˌkantaˈstɔːrja]; also spelled cantastorie [ˌkantaˈstɔːrje], canta storia or canta historia) comes from Italian for "story-singer" and is known by many other names around the world. It is a theatrical form where a performer tells or sings a story while gesturing to a series of images. These images can be painted, printed or drawn on any sort of material.