Theatre of the absurd in the context of "Waiting for Godot"

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⭐ Core Definition: Theatre of the absurd

The theatre of the absurd (French: théâtre de l'absurde [teɑtʁ(ə) lapsyʁd]) is a post–World War II designation for particular plays of absurdist fiction written by a number of primarily European playwrights in the late 1950s. It is also a term for the style of theatre the plays represent. The plays focus largely on ideas of existentialism and express what happens when human existence lacks meaning or purpose and communication breaks down. The structure of the plays is typically a round shape, with the finishing point the same as the starting point. Logical construction and argument give way to irrational and illogical speech and to the ultimate conclusion—silence.

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Theatre of the absurd in the context of Václav Havel

Václav Havel (Czech: [ˈvaːt͡slav ˈɦavɛl] ; 5 October 1936 – 18 December 2011) was a Czech statesman, author, poet, playwright, and dissident. Havel served as the last president of Czechoslovakia from 1989 until 1992, prior to the dissolution of Czechoslovakia on 31 December, before he became the first president of the Czech Republic from 1993 to 2003. He was the first democratically elected president of either country after the fall of communism. As a writer of Czech literature, he is known for his plays, essays and memoirs.

His educational opportunities having been limited by his bourgeois background under the Czechoslovak Socialist Republic, Havel first rose to prominence as a playwright. In works such as The Garden Party and The Memorandum, Havel used an absurdist style to criticize the Communist system. After participating in the Prague Spring and being blacklisted after the Warsaw Pact invasion of Czechoslovakia, he became more politically active and helped found several dissident initiatives, including Charter 77 and the Committee for the Defense of the Unjustly Prosecuted. His political activities brought him under the surveillance of the StB secret police, and he spent several periods as a political prisoner, the longest of his imprisoned terms being nearly four years, between 1979 and 1983.

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Theatre of the absurd in the context of Alfred Jarry

Alfred Jarry (French: [alfʁɛd ʒaʁi]; 8 September 1873 – 1 November 1907) was a French symbolist writer who is best known for his play Ubu Roi (1896), often cited as a forerunner of the Dada, Surrealist, and Futurist movements of the 1920s and 1930s and later the theatre of the absurd in the 1950s and 1960s. He also coined the term and philosophical concept of 'pataphysics.

Jarry was born in Laval, Mayenne, France, although his mother was from Brittany. He wrote in a variety of hybrid genres and styles, prefiguring the postmodern, including novels, poems, short plays and opéras bouffes, absurdist essays and speculative journalism. His texts are considered examples of absurdist literature and postmodern philosophy.

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