The World as Will and Representation in the context of "Thomas Mann"

Arthur Schopenhauer (/ˈʃoʊpənhaʊər/ SHOH-pən-how-ər; German: [ˈaʁtuːɐ̯ ˈʃoːpn̩haʊɐ] ; 22 February 1788 – 21 September 1860) was a German philosopher. He is known for his 1818 work The World as Will and Representation (expanded in 1844), which characterizes the phenomenal world as the manifestation of a blind and irrational noumenal will. Building on the transcendental idealism of Immanuel Kant, Schopenhauer developed an atheistic metaphysical and ethical system that rejected the contemporaneous ideas of German idealism.

Schopenhauer was among the first philosophers in the Western tradition to share and affirm significant tenets of Indian philosophy, such as asceticism, denial of the self, and the notion of the world-as-appearance. His work has been described as an exemplary manifestation of philosophical pessimism. Though his work failed to garner substantial attention during his lifetime, he had a posthumous impact across various disciplines, including philosophy, literature, and science. His writing on aesthetics, morality and psychology has influenced many thinkers and artists.

Philosophical pessimism is the view that life and existence are of negative value. It is often expressed as the claim that life is not worth living and that non-existence would, at least in many cases, be preferable to coming into or remaining in existence. Other formulations focus on claims that suffering and other harms have more impact or severity than pleasure and other goods; that the amount of bad in the world exceeds the quantity of good; or that existence lacks inherent value or purpose and can at most be fleetingly beneficial or limitedly meaningful.

Themes associated with pessimism appear in a range of religious and philosophical traditions, including parts of Buddhism, the book of Ecclesiastes, certain forms of Gnosticism, and the work of Hegesias of Cyrene. In the 19th century, Arthur Schopenhauer gave pessimism a systematic form in his The World as Will and Representation, and later German thinkers such as Eduard von Hartmann and Philipp Mainländer developed their own versions. In the 20th and 21st centuries, authors including Peter Wessel Zapffe, Emil Cioran, Thomas Ligotti, David Benatar, Julio Cabrera and Drew Dalton have revisited pessimistic ideas using arguments from ethics, psychology and the natural sciences.

Arthur Schopenhauer's aesthetics result from his philosophical doctrine of the primacy of the metaphysical Will as the Kantian thing-in-itself, the ground of life and all being. In his chief work, The World as Will and Representation, Schopenhauer thought that if consciousness or attention is fully engrossed, absorbed, or occupied with the world as painless representations or images, then there is no consciousness of the world as painful willing. Aesthetic contemplation of a work of art provides just such a state—a temporary liberation from the suffering that results from enslavement to the will [need, craving, urge, striving] by becoming a will-less spectator of "the world as representation" [mental image or idea]. Art, according to Schopenhauer, also provides essential knowledge of the world's objects in a way that is more profound than science or everyday experience.

Schopenhauer's aesthetic theory is introduced in Book 3 of The World as Will and Representation, Vol. 1, and developed in essays in the second volume. He provides an explanation of the beautiful (German: Schönheit) and the sublime (Das Erhabene), a hierarchy among the arts (from architecture, landscape gardening, sculpture and painting, poetry, etc. all the way to music, the pinnacle of the arts since it is a direct expression of the will), and the nature of artistic genius.

Friedrich Nietzsche (1844–1900) developed his philosophy during the late 19th century. He owed the awakening of his philosophical interest to reading Arthur Schopenhauer's Die Welt als Wille und Vorstellung (The World as Will and Representation, 1819, revised 1844) and said that Schopenhauer was one of the few thinkers that he respected, dedicating to him his essay Schopenhauer als Erzieher (Schopenhauer as Educator), published in 1874 as one of his Untimely Meditations.

Since the dawn of the 20th century, the philosophy of Nietzsche has had great intellectual and political influence around the world. Nietzsche applied himself to such topics as morality, religion, epistemology, poetry, ontology, and social criticism. Because of Nietzsche's evocative style and his often outrageous claims, his philosophy generates passionate reactions running from love to disgust. Nietzsche noted in his autobiographical Ecce Homo that his philosophy developed and evolved over time, so interpreters have found it difficult to relate concepts central to one work to those central to another, for example, the thought of the eternal recurrence features heavily in Also sprach Zarathustra (Thus Spoke Zarathustra), but is almost entirely absent from his next book, Beyond Good and Evil. Added to this challenge is the fact that Nietzsche did not seem concerned to develop his thought into a system, even going so far as to disparage the attempt in Beyond Good and Evil.

"Critique of the Kantian philosophy" (German: "Kritik der Kantischen Philosophie") is a criticism Arthur Schopenhauer appended to the first volume of his The World as Will and Representation (1818). He wanted to show Immanuel Kant's errors so that Kant's merits would be appreciated and his achievements furthered.

At the time he wrote his criticism, Schopenhauer was acquainted only with the second (1787) edition of Kant's Critique of Pure Reason. When he later read the first (1781) edition, he said that many of Kant's contradictions were not evident.