The Wilton Diptych in the context of "Donor portrait"

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⭐ Core Definition: The Wilton Diptych

The Wilton Diptych (made c. 1395–1399) is a small portable diptych of two hinged panels, painted on both sides, now in the National Gallery, London. It is an extremely rare survival of a late medieval religious panel painting from England. The diptych was painted for King Richard II of England, who is depicted kneeling before the Virgin and Child in what is known as a donor portrait. He is presented to them by (left to right) the English saints King Edmund the Martyr, King Edward the Confessor and patron saint, John the Baptist. The painting is an outstanding example of the International Gothic style, and the nationality of the unknown artist is probably French or English.

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The Wilton Diptych in the context of White Hart

The White Hart ("hart" being an archaic word for a mature stag) was the personal badge of Richard II, who probably derived it from the arms of his mother, Joan "The Fair Maid of Kent", heiress of Edmund of Woodstock. It may also have been a pun on his name, as in "Rich-hart". In the Wilton Diptych (National Gallery, London), which is the earliest authentic contemporary portrait of an English king, Richard II wears a gold and enamelled white hart jewel, and even the angels surrounding the Virgin Mary all wear white hart badges. In English Folklore, the white hart is associated with Herne the Hunter.

There are still many inns and pubs in England that sport a sign of the white hart, the fifth most popular name for a pub.

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