The Pharcyde in the context of "Drop (The Pharcyde song)"

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⭐ Core Definition: The Pharcyde

The Pharcyde is an American hip-hop group, formed in South Central Los Angeles in 1991. The original four members of the group are Imani (Emandu Wilcox), Slimkid3 (Trevant Hardson), Bootie Brown (Romye Robinson), and Fatlip (Derrick Stewart). DJ Mark Luv was the group's first disc jockey (DJ), followed by producer J-Swift and then J Dilla.

The group's debut album Bizarre Ride II the Pharcyde (1992), featuring the hit single "Passin' Me By", was highly acclaimed and has gone on to be cited as one of the greatest albums in alternative hip-hop. In 1995 the group released second studio album Labcabincalifornia to further commercial success, featuring crossover hit singles "Drop" and "Runnin'". Labcabincalifornia received mixed critical reception upon its initial release, but has since achieved retrospective critical acclaim. After Fatlip's exit from the group, the remaining members of the group released the follow up albums Plain Rap (2000) and then Humboldt Beginnings (2004). Slimkid3 left the group in the middle of the production of Plain Rap, with the group only consisting of Imani and Bootie Brown. In 2002, the group released the EP AMP with hip-hop group Souls of Mischief under the title Almyghty Myghty Pythons. The group never regained its former commercial or critical success.

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The Pharcyde in the context of Alternative hip hop

Alternative hip-hop (also known as alternative rap or backpack rap) is a subgenre of hip-hop defined by artists who reject the genre's traditional stereotypes, particularly those popularized by old-school hip-hop and gangsta rap. Originally emerging in the mid-to-late 1980s, the style was spearheaded by the Native Tongues collective in the East Coast which included acts like the Jungle Brothers, De La Soul, A Tribe Called Quest, X Clan, Brand Nubian, Pete Rock & CL Smooth, Monie Love, Queen Latifah and later Busta Rhymes and Mos Def. These artists emphasized positive-minded, good-natured Afrocentric lyrics, while pioneering and popularizing the use of eclectic sampling and jazz-influenced beats in hip-hop, drawing influences from political, progressive and conscious hip-hop artists such as Grandmaster Flash and Public Enemy.

During the 1990s, the alternative hip-hop movement expanded with West Coast artists such as the Pharcyde, Digital Underground, Souls of Mischief, Del the Funky Homosapien, Jurassic 5, Styles of Beyond and Freestyle Fellowship as well as certain Southern acts which included Arrested Development, Goodie Mob, and Outkast. The commercial and cultural momentum of the movement was impeded by the rise and popularity of West Coast gangsta rap, though experienced a degree of mainstream recognition through the success of the Fugees, De La Soul, A Tribe Called Quest, Outkast and Arrested Development. The Native Tongues movement inspired later alt rap artists such as the Roots, Lupe Fiasco, Digable Planets, Common, Little Brother, Black Eyed Peas, Dead Prez, Camp Lo, Jean Grae, Nappy Roots, Black Star, J Dilla, Lauryn Hill, MF Doom, Pharrell Williams, and Kanye West.

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The Pharcyde in the context of J Dilla

James Dewitt Yancey (born February 7, 1974 – February 10, 2006), better known by the stage names J Dilla and Jay Dee, was an American record producer, rapper, and composer. He emerged from the mid-1990s underground hip hop scene in Detroit, Michigan, as a member of the group Slum Village. He was also a founding member of the Soulquarians, a musical collective active during the late 1990s and early 2000s. He additionally collaborated with Madlib as Jaylib, releasing the album Champion Sound. Yancey's final album was Donuts, which was released three days before his death. He was also known for producing The Pharcyde album Labcabincalifornia.

Yancey died at the age of 32 from a combination of TTP and lupus. Although his life was short, he is considered to be one of the most influential producers in hip hop and popular music. J Dilla's music raised the artistic level of hip-hop production in Detroit. According to The Guardian, "His affinity for crafting lengthy, melodic loops peppered with breakbeats and vocal samples took instrumental hip-hop into new, more musically complex realms." In particular, his approach to drum programming, with its loose, or "drunk", style that eschews the use of quantization, has been influential on producers and drummers.

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