The Nightmare in the context of "Royal Academy of London"

Play Trivia Questions online!

or

Skip to study material about The Nightmare in the context of "Royal Academy of London"

Ad spacer

⭐ Core Definition: The Nightmare

The Nightmare is a 1781 oil painting by the Swiss artist Henry Fuseli. It shows a woman with her arms thrown below her, in deep sleep as she undergoes a nightmare as an almost hidden horse (the "night-mare") looks on as a demonic and ape-like incubus crouches on her chest. Its erotic and haunting evocation of obsession became a breakthrough success for Fuseli. Critics were taken aback by its overt sexuality, since interpreted as anticipating Jungian ideas about the unconscious.

Although Fuseli had unsuccessfully exhibited at the Royal Academy of London many times earlier, critics reacted with horrified fascination when this painting was shown at his 1782 showing, and the Nightmare became his first commercially successful work. The image became popular to the extent that he produced at least three other versions, engraved versions became widely distributed, it was parodied in political satire, and became a frequent source for 18th-century Gothic fiction authors such as Mary Shelley.

↓ Menu

>>>PUT SHARE BUTTONS HERE<<<
In this Dossier

The Nightmare in the context of Henry Fuseli

Henry Fuseli RA (/ˈfjuːzəli, fjuːˈzɛli/ FEW-zə-lee, few-ZEL-ee; German: Johann Heinrich Füssli [ˈjoːhan ˈhaɪ̯nʁɪç ˈfyːsli]; 7 February 1741 – 17 April 1825) was a Swiss painter, draughtsman, and writer on art who spent much of his career in Britain.

Many of his successful works depict supernatural experiences, such as The Nightmare. He produced painted works for John Boydell's Shakespeare Gallery and for his own "Milton Gallery". He held the posts of Professor of Painting and Keeper at the Royal Academy. His style had a considerable influence on many younger British artists, including William Blake (1757-1827).

↑ Return to Menu

The Nightmare in the context of Jewish demonology

Demonology is the study of demons within religious belief and myth. Depending on context, it can refer to studies within theology, religious doctrine, or occultism. In many faiths, it concerns the study of a hierarchy of demons. Demons may be nonhuman separable souls, or discarnate spirits which have never inhabited a body. A sharp distinction is often drawn between these two classes, notably by the Melanesians, several African groups, and others. The jinns, for example, are not reducible to modified human souls. At the same time these classes are frequently conceived as producing identical results, e.g. diseases.

↑ Return to Menu