The New Yorker in the context of "Information Age"

A gag cartoon (also panel cartoon, single-panel cartoon, or gag panel) is most often a single-panel cartoon, usually including a caption beneath the drawing. In some cases, dialogue may appear in speech balloons, following the common convention of comic strips. A pantomime cartoon carries no caption (see also: pantomime comics).

As the name implies—"gag" being a show business term for a comedic idea—these cartoons are most often intended to provoke laughter. Popular magazines that have featured gag cartoons include Punch, The New Yorker and Playboy. Some publications, such as Humorama, have used cartoons as the main focus of the magazine, rather than articles and fiction.

Dame Winifred Mary Beard (born 1 January 1955) is an English classicist specialising in Ancient Rome. She is a trustee of the British Museum and formerly held a personal professorship of classics at the University of Cambridge. She is a fellow of Newnham College, Cambridge, and Royal Academy of Arts Professor of Ancient Literature.

Beard is the classics editor of The Times Literary Supplement, for which she also writes a regular blog, "A Don's Life". Her frequent media appearances and sometimes controversial public statements have led to her being described as "Britain's best-known classicist". In 2014, The New Yorker characterised her as "learned but accessible".

Patricia Smith Churchland (born 16 July 1943) is a Canadian-American analytic philosopher noted for her contributions to neurophilosophy and the philosophy of mind. She is UC President's Professor of Philosophy Emerita at the University of California, San Diego (UCSD), where she has taught since 1984. She has also held an adjunct professorship at the Salk Institute for Biological Studies since 1989. She is a member of the Board of Trustees Moscow Center for Consciousness Studies of Philosophy Department, Moscow State University. In 2015, she was elected a Fellow of the American Academy of Arts & Sciences. Educated at the University of British Columbia, the University of Pittsburgh, and Somerville College, Oxford, she taught philosophy at the University of Manitoba from 1969 to 1984 and is married to the philosopher Paul Churchland. Larissa MacFarquhar, writing for The New Yorker, observed of the philosophical couple that: "Their work is so similar that they are sometimes discussed, in journals and books, as one person."

Hans Koning (born Hans Königsberger, July 12, 1921 – April 13, 2007) was a Dutch American author of over 40 fiction and non-fiction books. Koning was also a prolific journalist, contributing for almost 60 years to many periodicals including The New York Times, International Herald Tribune, Atlantic Monthly, The Nation, Harper's, The New Yorker, and De Groene Amsterdammer. He used the pen name Hans Koningsberger (with an added letter 'n'), and from 1972 Hans Koning.

Death of a Salesman is a 1949 stage play written by the American playwright Arthur Miller. The play premiered on Broadway in February 1949, running for 742 performances. It is a two-act tragedy set in late 1940s Brooklyn told through a montage of memories, dreams, and arguments of the protagonist Willy Loman, a travelling salesman who is despondent with his life and appears to be slipping into senility. The play addresses a variety of themes, such as the American Dream, the anatomy of truth, and infidelity. It won the 1949 Pulitzer Prize for Drama and Tony Award for Best Play. It is considered by some critics to be one of the greatest plays of the 20th century. The play is included in numerous anthologies.

Since its premiere, the play has been revived on Broadway five times, winning three Tony Awards for Best Revival. It has been adapted for the cinema on ten occasions, including a 1951 version by screenwriter Stanley Roberts, starring Fredric March. In 1999, New Yorker drama critic John Lahr said that with 11 million copies sold, it was "probably the most successful modern play ever published."

Peter Charles Schjeldahl (/ˈʃɛldɑːl/; March 20, 1942 – October 21, 2022) was an American art critic, poet, and educator. He was noted for being the head art critic at The New Yorker, having earlier written for The Village Voice, ARTnews, and The New York Times.

Janet Flanner (March 13, 1892 – November 7, 1978) was an American writer and pioneering narrative journalist who served as the Paris correspondent of The New Yorker magazine from 1925 until she retired in 1975. She wrote under the pen name "Genêt". She also published a single novel, The Cubical City, set in New York City.

She was a prominent member of America's expatriate community living in Paris before WWII. Along with her longtime partner Solita Solano, Flanner was called "a defining force in the creative expat scene in Paris". She returned to New York during the war. Flanner split her time between there and Paris until her death in 1978.

Mariana Enríquez (born 1973) is an Argentine journalist, novelist, and short story writer. She is a part of the group of writers known as "new Argentine narrative". Her short stories fall within the horror and gothic genres and have been published in international magazines such as Granta, Electric Literature, Asymptote, McSweeney's, Virginia Quarterly Review, and The New Yorker.

Itzhak Avraham ben Zeev Spiegelman (/ˈspiːɡəlmən/ SPEE-gəl-mən; born February 15, 1948), professionally known as Art Spiegelman, is an American cartoonist, editor, and comics advocate best known for his graphic novel Maus. His work as co-editor on the comics magazines Arcade and Raw has been influential, and from 1992 he spent a decade as contributing artist for The New Yorker. He is married to designer and editor Françoise Mouly and is the father of writer Nadja Spiegelman. In September 2022, the National Book Foundation announced that he would receive the Medal for Distinguished Contribution to American Letters.

Spiegelman began his career with Topps (a bubblegum and trading card company) in the mid-1960s, which was his main financial support for two decades; there he co-created parodic series such as Wacky Packages in the 1960s and Garbage Pail Kids in the 1980s. He gained prominence in the underground comix scene in the 1970s with short, experimental, and often autobiographical work. A selection of these strips appeared in the collection Breakdowns in 1977, after which Spiegelman turned focus to the book-length Maus, about his relationship with his father, a Holocaust survivor. The postmodern book depicts Germans as cats, Jews as mice, ethnic Poles as pigs, and citizens of the United States as dogs. It took 13 years to create until its completion in 1991. In 1992 it won a special Pulitzer Prize and has gained a reputation as a pivotal work.