The Mysteries of Udolpho in the context of Northanger Abbey


The Mysteries of Udolpho in the context of Northanger Abbey

⭐ Core Definition: The Mysteries of Udolpho

The Mysteries of Udolpho: A Romance is a Gothic novel by Ann Radcliffe, which appeared in four volumes on 8 May 1794 from G. G. and J. Robinson of London. Her fourth and most popular novel, The Mysteries of Udolpho tells of Emily St. Aubert, who suffers misadventures that include the death of her mother and father, supernatural terrors in a gloomy castle, and machinations of Italian brigand Signor Montoni. It is often cited as an archetypal example of the Gothic novel.

The popularity of The Mysteries of Udolpho helped cement the Gothic novel as a distinct genre, and has inspired many imitators since publication. It was a notable point of reference in Jane Austen's Northanger Abbey, which both satirises and pays homage to Gothic literature.

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The Mysteries of Udolpho in the context of Ann Radcliffe

Ann Radcliffe (née Ward; 9 July 1764 – 7 February 1823) was an English novelist who pioneered the Gothic novel, and a minor poet. Her fourth and most popular novel, The Mysteries of Udolpho, was published in 1794. She is also remembered for her third novel, The Romance of the Forest (1791) and her fifth novel, The Italian (1797). Her novels combine suspenseful narratives, exotic historical settings, and apparently-supernatural events which turn out to have rational explanations.

Radcliffe was famously shy and reclusive, leaving little record of the details of her life. She was born in London to a middle-class family, and was raised between Bath, Somerset and the estate of her uncle Thomas Bentley. In 1787, she married William Radcliffe, a journalist, and moved to London. She published five novels between 1789 and 1797 to increasing acclaim and financial success, becoming one of the highest-paid authors of the eighteenth century. She then lived entirely privately for twenty-six years, travelling frequently with her husband. She died in 1823, aged 58, and her final works were published posthumously in 1826.

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