The Mark of Zorro (1920 film) in the context of "United Artists"

The adventure film is a broad genre of film. Some early genre studies found it no different than the Western film or argued that adventure could encompass all Hollywood genres. Commonality was found among historians Brian Taves and Ian Cameron in that the genre required a setting that was both remote in time and space to the film audience and that it contained a positive hero who tries to make right in their world. Some critics such as Taves limit the genre to naturalistic settings, while Yvonne Tasker found that would limit films such as Raiders of the Lost Ark (1981) from the genre. Tasker found that most films in the genre featured narratives located within a fantasy world of exoticized setting, which are often driven by quests for characters seeking mythical objects or treasure hunting. The genre is closely associated with the action film, and is sometimes used interchangeably or in tandem with that genre.

The setting and visuals are key elements of adventure films. This ranged from early technical showcases such as The Lost World (1925) and King Kong (1933). These films set up exotic locations as both beautiful and dangerous. This would be a continuing trend for Hollywood adventure films. The other major Hollywood style was the historical adventure typified by early films in the style of The Black Pirate (1926) and The Mark of Zorro (1920) which feature less intense violence. Historical adventure was a popular Hollywood staple until the mid-1950s. While the historical adventure film would be parodied or presented as highly camp, special effects-driven adventure films began to dominate the market towards the late 1970s, with films such as Star Wars (1977) and Raiders of the Lost Ark (1981). This trend continued into the 21st century.

Douglas Elton Fairbanks Sr. (born Douglas Elton Thomas Ullman; May 23, 1883 – December 12, 1939) was an American actor and filmmaker best known for being the first actor to play the masked Vigilante Zorro and other swashbuckling roles in silent films. One of the biggest stars of the silent era, Fairbanks was referred to as "The King of Hollywood". He was also a founding member of United Artists as well as the Motion Picture Academy and hosted the 1st Academy Awards in 1929.

Born in Denver, Colorado, Fairbanks started acting from an early age and established himself as an accomplished stage actor on Broadway by the late 1800s. He made his film debut in 1915 and quickly became one of the most popular and highest paid actors in Hollywood. In 1919, he co-founded United Artists alongside Charlie Chaplin, Mary Pickford and D. W. Griffith. Fairbanks married Pickford in 1920 and the couple came to be regarded as "Hollywood royalty". Primarily a comedic actor early in his career, he moved into the adventure genre with the 1920 film The Mark of Zorro and found further success in films including Robin Hood (1922) and The Thief of Bagdad (1924).

The Thief of Bagdad is a 1924 American silent fantasy adventure film directed by Raoul Walsh and starring Douglas Fairbanks, and written by Achmed Abdullah and Lotta Woods. Adapted from One Thousand and One Nights, the film tells the story of a thief who falls in love with the daughter of the Caliph of Baghdad. In 1996, the film was selected for preservation in the United States National Film Registry by the Library of Congress as "culturally, historically, or aesthetically significant".

Fairbanks considered this to be the favorite of his films, according to his son. The imaginative gymnastics suited the athletic star, whose "catlike, seemingly effortless" movements were as much dance as gymnastics. Along with his earlier The Mark of Zorro (1920) and Robin Hood (1922), the film marked Fairbanks's transformation from genial comedy to a career in "swashbuckling" roles. The film, strong on special effects (flying carpet, magic rope and fearsome monsters) and featuring massive Arabian-style sets, also proved to be a stepping stone for Anna May Wong, who portrayed a treacherous Mongol slave.

The Curse of Capistrano is a 1919 novel by Johnston McCulley and the first work to feature the Californio character Don Diego de la Vega, the masked hero also called Zorro. It first appeared as a five-part magazine serial. The story was adapted into the silent film The Mark of Zorro in 1920. It appeared in book form in 1924, also using the title The Mark of Zorro.