The Life and Opinions of Tristram Shandy, Gentleman in the context of "The Anatomy of Melancholy"

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⭐ Core Definition: The Life and Opinions of Tristram Shandy, Gentleman

The Life and Opinions of Tristram Shandy, Gentleman, also known as Tristram Shandy, is a humorous novel by Laurence Sterne. It was published from 1759 to 1767, in nine volumes across five instalments. The novel purports to be a memoir, but the titular Tristram is an effusive and digressive narrator who begins the story with his conception and doesn't reach a description of his birth until the third volume. While attempting to explain four accidents in his early life which have doomed him to an unhappy future, Tristram describes domestic conflicts between his irritable father Walter and his gentle Uncle Toby, and inserts humorous discourses on a range of intellectual topics.

Stylistically, Sterne is influenced by the earlier satirists Alexander Pope, Jonathan Swift, Rabelais, and Cervantes. The novel is characterised by innuendo, especially sexual double entendre and aposiopesis (unfinished sentences). Sterne burlesques serious writers and genres, particularly parodying Robert Burton's The Anatomy of Melancholy and the genre of consolatio. The novel is also remembered for surprising visual elements, such as blank, black, and marbled pages; entire paragraphs censored with asterisks; and inserted diagrams.

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The Life and Opinions of Tristram Shandy, Gentleman in the context of Metafiction

Metafiction is a form of fiction that emphasizes its own narrative structure in a way that inherently reminds the audience that they are reading or viewing a fictional work. Metafiction is self-conscious about language, literary form, and storytelling, and works of metafiction directly or indirectly draw attention to their status as artifacts. Metafiction is frequently used as a form of parody or a tool to undermine literary conventions and explore the relationship between literature and reality, life and art.

Although metafiction is most commonly associated with postmodern literature that developed in the mid-20th century, its use can be traced back to much earlier works of fiction, such as The Canterbury Tales (Geoffrey Chaucer, 1387), Don Quixote Part Two (Miguel de Cervantes, 1615), Chymical Wedding of Christian Rosenkreutz (Johann Valentin Andreae, 1617), The Cloud Dream of the Nine (Kim Man-jung, 1687), The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759), Sartor Resartus (Thomas Carlyle, 1833–34), and Vanity Fair (William Makepeace Thackeray, 1847).

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The Life and Opinions of Tristram Shandy, Gentleman in the context of Laurence Sterne

Laurence Sterne (24 November 1713 – 18 March 1768) was an Anglo-Irish novelist and Anglican cleric. He is best known for his comic novels The Life and Opinions of Tristram Shandy, Gentleman (1759–1767) and A Sentimental Journey Through France and Italy (1768).

Sterne grew up in a military family, travelling mainly in Ireland but briefly in England. He attended Jesus College, Cambridge, on a sizarship, gaining bachelor's and master's degrees, and was ordained as a priest in 1738. While Vicar of Sutton-on-the-Forest, Yorkshire, he married Elizabeth Lumley in 1741. He briefly wrote political propaganda for the Whigs, but abandoned politics in 1742. In 1759, he wrote an ecclesiastical satire A Political Romance, which embarrassed the church and was burned. Having discovered his talent for comedy, at age 46 he dedicated himself to humour writing as a vocation. Also in 1759, he published the first volume of Tristram Shandy, which was an enormous success and continued for a total of nine volumes. He was a literary celebrity for the rest of his life. In addition to his novels, he published several volumes of sermons. Sterne died in 1768 and was buried in the yard of St George's, Hanover Square.

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