The Italian (Radcliffe novel) in the context of "Inquisition"

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⭐ Core Definition: The Italian (Radcliffe novel)

The Italian, or the Confessional of the Black Penitents: A Romance is a Gothic novel written by the English author Ann Radcliffe. The novel was first published in December 1796, although the title page is dated 1797. It is the last book Radcliffe published during her lifetime (although she would go on to write the novel Gaston de Blondeville, it was only published posthumously in 1826). The Italian has a dark, mysterious, and somber tone which fixates on the themes of love, devotion, and persecution during the time period of Holy Inquisition. The novel deals with issues prevalent at the time of the French Revolution, such as religion, aristocracy, and nationality. Radcliffe's renowned use of veiled imagery is considered to have reached its height of sophistication and complexity in The Italian; concealment and disguise are central motifs of the novel. The novel is noted for its extremely effective antagonist, Father Schedoni, who influenced the Byronic characters of Victorian literature.

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The Italian (Radcliffe novel) in the context of Ann Radcliffe

Ann Radcliffe (née Ward; 9 July 1764 – 7 February 1823) was an English novelist who pioneered the Gothic novel, and a minor poet. Her fourth and most popular novel, The Mysteries of Udolpho, was published in 1794. She is also remembered for her third novel, The Romance of the Forest (1791) and her fifth novel, The Italian (1797). Her novels combine suspenseful narratives, exotic historical settings, and apparently-supernatural events which turn out to have rational explanations.

Radcliffe was famously shy and reclusive, leaving little record of the details of her life. She was born in London to a middle-class family, and was raised between Bath, Somerset and the estate of her uncle Thomas Bentley. In 1787, she married William Radcliffe, a journalist, and moved to London. She published five novels between 1789 and 1797 to increasing acclaim and financial success, becoming one of the highest-paid authors of the eighteenth century. She then lived entirely privately for twenty-six years, travelling frequently with her husband. She died in 1823, aged 58, and her final works were published posthumously in 1826.

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