The Idler (1758–60) in the context of "London (Samuel Johnson poem)"

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⭐ Core Definition: The Idler (1758–60)

The Idler was a series of 103 essays, all but twelve of them by Samuel Johnson, published in the London weekly the Universal Chronicle between 1758 and 1760. It is likely that the Chronicle was published for the sole purpose of including The Idler, since it had produced only one issue before the series began, and ceased publication when it finished. The authors besides Johnson were Thomas Warton, Bennet Langton, and Joshua Reynolds.

Johnson's biographer, James Boswell, recalled that Johnson wrote some of the essays in The Idler "as hastily as an ordinary letter". He said that once while visiting Oxford, Johnson composed an essay due for publication the next day in the half-hour before the last post was collected.

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👉 The Idler (1758–60) in the context of London (Samuel Johnson poem)

London is a poem by Samuel Johnson, produced shortly after he moved to London. Written in 1738, it was his first major published work. The poem in 263 lines imitates Juvenal's Third Satire, expressed by the character of Thales as he decides to leave London for Wales. Johnson imitated Juvenal because of his fondness for the Roman poet and he was following a popular 18th-century trend of Augustan poets headed by Alexander Pope that favoured imitations of classical poets, especially for young poets in their first ventures into published verse.

London was published anonymously and in multiple editions during 1738. It quickly received critical praise, notably from Pope. This would be the second time that Pope praised one of Johnson's poems; the first being for Messiah, Johnson's Latin translation of Pope's poem. Part of that praise comes from the political basis of the poem. From a modern view, the poem is outshone by Johnson's later poem The Vanity of Human Wishes, as well as works like his A Dictionary of the English Language, his Lives of the Most Eminent English Poets, and his periodical essays for The Rambler, The Idler and The Adventurer.

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