The Great Wave off Kanagawa in the context of "Impressionists"

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⭐ Core Definition: The Great Wave off Kanagawa

The Great Wave off Kanagawa (Japanese: 神奈川沖浪裏, Hepburn: Kanagawa-oki Nami Ura; lit.'Under the Wave off Kanagawa') is a woodblock print by the Japanese ukiyo-e artist Hokusai (1760–1849), created in late 1831 during the Edo period of Japanese history. The print depicts three boats moving through a storm-tossed sea, with a large, cresting wave forming a spiral in the centre over the boats and Mount Fuji in the background.

The print is Hokusai's best-known work and the first in his series Thirty-six Views of Mount Fuji, in which the use of Prussian blue revolutionised Japanese prints. The composition of The Great Wave is a synthesis of traditional Japanese prints and use of graphical perspective developed in Europe, and earned him immediate success in Japan and later in Europe, where Hokusai's art inspired works by the Impressionists. Several museums throughout the world hold copies of The Great Wave, many of which came from 19th-century private collections of Japanese prints. Only about 100 prints, in varying conditions, are thought to have survived into the 21st century.

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The Great Wave off Kanagawa in the context of Hokusai

Katsushika Hokusai (葛飾 北斎; c. 31 October 1760 – 10 May 1849), known mononymously as Hokusai, was a Japanese ukiyo-e artist of the Edo period, active as a painter and printmaker. His woodblock print series Thirty-Six Views of Mount Fuji includes the iconic print The Great Wave off Kanagawa. Hokusai was instrumental in developing ukiyo-e from a style of portraiture largely focused on courtesans and actors into a much broader style of art that focused on landscapes, plants, and animals. His works had a significant influence on Vincent van Gogh and Claude Monet during the wave of Japonisme that spread across Europe in the late 19th century.

Hokusai created the monumental Thirty-Six Views of Mount Fuji as a response to a domestic travel boom in Japan and as part of a personal interest in Mount Fuji. It was this series, specifically, The Great Wave off Kanagawa and Fine Wind, Clear Morning, that secured his fame both in Japan and overseas.

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The Great Wave off Kanagawa in the context of Woodblock printing in Japan

Woodblock printing in Japan (木版画, mokuhanga) is a technique best known for its use in the ukiyo-e artistic genre of single sheets, but it was also used for printing books in the same period. Invented in China during the Tang dynasty, woodblock printing was widely adopted in Japan during the Edo period (1603–1868). It is similar to woodcut in Western printmaking in some regards, but was widely used for text as well as images. The Japanese mokuhanga technique differs in that it uses water-based inks—as opposed to Western woodcut, which typically uses oil-based inks. The Japanese water-based inks provide a wide range of vivid colors, glazes, and transparency.

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The Great Wave off Kanagawa in the context of Thirty-Six Views of Mount Fuji

Thirty-six Views of Mount Fuji (Japanese: 富嶽三十六景, Hepburn: Fugaku Sanjūrokkei) is a series of landscape prints by the Japanese ukiyo-e artist Hokusai (1760–1849). The series depicts Mount Fuji from different locations and in various seasons and weather conditions. The immediate success of the publication led to another ten prints being added to the series.

The series was produced from c. 1830 to 1832, when Hokusai was in his seventies and at the height of his career, and published by Nishimura Yohachi. Among the prints are three of Hokusai's most famous: The Great Wave off Kanagawa, Fine Wind, Clear Morning, and Thunderstorm Beneath the Summit. The lesser-known Kajikazawa in Kai Province is also considered one of the series' best works. The Thirty-six Views has been described as the artist's "indisputable colour-print masterpiece".

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