The Genius of Christianity in the context of "Émigré"

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⭐ Core Definition: The Genius of Christianity

The Genius of Christianity, or Beauties of the Christian Religion (French: Le Génie du christianisme, ou Beautés de la religion chrétienne) is a work by the French author François-René de Chateaubriand, written during his exile in England in the 1790s as a defense of the Catholic faith, then under attack during the French Revolution. It was first published in France in 1802, after Chateaubriand returned to France following Napoleon's general amnesty for émigrés who had fled the Revolution. Napoleon, who had recently signed the Concordat with the pope, initially made use of Chateaubriand's book as propaganda to win support among French Catholics. Within five years, he would quarrel with the author and send him into internal exile.

In The Genius of Christianity, Chateaubriand defends the wisdom and beauty of Christianity against the attacks on it by French Enlightenment philosophers and revolutionary politicians. The book had an immense influence on nineteenth-century culture and not just on religious life. In fact, it might be said its greatest impact was on art and literature: it was a major inspiration for the Romantic movement.

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The Genius of Christianity in the context of François-René de Chateaubriand

François-René, vicomte de Chateaubriand (4 September 1768 – 4 July 1848) was a French writer, politician, diplomat and historian who influenced French literature of the nineteenth century. Descended from an old aristocratic family from Brittany, Chateaubriand was a royalist by political disposition. In an age when large numbers of intellectuals turned against the Church, he authored the Génie du christianisme in defense of the Catholic faith. His works include the autobiography Mémoires d'Outre-Tombe (Memoirs from Beyond the Grave), published posthumously in 1849–1850.

Historian Peter Gay said that Chateaubriand saw himself as the greatest lover, the greatest writer, and the greatest philosopher of his age. Gay states that Chateaubriand "dominated the literary scene in France in the first half of the nineteenth century".

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