The Crucifixion (Pavias) in the context of "Cretan School"

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⭐ Core Definition: The Crucifixion (Pavias)

The Crucifixion is a tempera painting by Andreas Pavias, who was active in Crete during the second half of the 15th century and is considered part of the Cretan School. It is now in the National Gallery of Greece. The painting influenced countless arts. Georgios Klontzas, Emmanuel Lambardos, Ioannis Moskos created similar works. Pavias introduced multiple figures to his Crucifixion. Georgios Klontzas began to employ a similar method in his famous work In Thee Rejoiceth. A work that was emulated by Theodore Poulakis and Franghias Kavertzas. The painting exhibitedcharacteristics of the traditional maniera greca and the Venetian style.

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The Crucifixion (Pavias) in the context of Cretan school

The Cretan school describes an important school of icon painting, under the umbrella of post-Byzantine art, which flourished while Crete was under Venetian rule during the late Middle Ages, reaching its climax after the fall of Constantinople, becoming the central force in Greek painting during the 15th, 16th, and 17th centuries. The Cretan artists developed a particular style of painting under the influence of both Eastern and Western artistic traditions and movements; the most famous product of the school, El Greco, was the most successful of the many artists who tried to build a career in Western Europe, and also the one who left the Byzantine style farthest behind him in his later career.

Early painters from Crete included Nikolaos Philanthropinos 1380-1450, Ioannis Pagomenos 1285-1340 and Manuel Fokas. Philanthropinos completed some mosaics in Venice, Italy at St Mark's Basilica in the 1430s. The fathers of the Cretan school are considered Angelos Akotantos, Andreas Pavias and Andreas Ritzos. Some of their works include: Saint Anne with the Virgin, The Virgin Pantanassa and The Crucifixion. Between 1454 and 1526, Crete was saturated with painting workshops, and the number of painters exceeded 145. Some painters, such as Nikolaos Gripiotis, produced mass quantities of unsigned icons for Italian and Greek patrons during the period, while other painters chose to sign their works.

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The Crucifixion (Pavias) in the context of Andreas Pavias

Andreas Pavias (Greek: Ανδρέας Παβίας; 1440 – 1504/1512) was a Greek painter and educator, one of the founding fathers of the Cretan school. His works could be found in churches and private collections throughout Italy and Greece, where they influenced countless artists. Seven of these paintings survive today, six bearing Pavias's signature. The most famous of the group is The Crucifixion.

Pavias learned his craft from Angelos Akotantos, and was affiliated with Andreas Ritzos. He experimented with different techniques, and his paintings incorporate stylistic traits from the Venetian school. Angelos Pitzamanos was the student of Pavias, who also influenced the works of such Cretan school artists as Theodore Poulakis, Georgios Klontzas, and Michael Damaskenos.

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