The Chelsea Pensioners reading the Waterloo Dispatch in the context of "Somerset House"

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⭐ Core Definition: The Chelsea Pensioners reading the Waterloo Dispatch

The Chelsea Pensioners reading the Waterloo Dispatch, originally entitled Chelsea Pensioners Receiving the London Gazette Extraordinary of Thursday, June 22, 1815, Announcing the Battle of Waterloo, is an oil painting by David Wilkie, commissioned by Arthur Wellesley, 1st Duke of Wellington in August 1816.

It was exhibited at the Royal Academy Exhibition of 1822 at Somerset House, where it was so popular that a rail was installed to protect it from the thronging crowds. This was the first time that a rail was needed at the Royal Academy exhibition. The painting was retained by the Duke of Wellington and his descendants, it remains part of the Wellington Collection at Apsley House, but is now on loan to the National Gallery, London.

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The Chelsea Pensioners reading the Waterloo Dispatch in the context of Hierarchy of genres

A hierarchy of genres is any formalization which ranks different genres in an art form in terms of their prestige and cultural value.

In literature, the epic was considered the highest form, for the reason expressed by Samuel Johnson in his Life of John Milton: "By the general consent of criticks, the first praise of genius is due to the writer of an epick poem, as it requires an assemblage of all the powers which are singly sufficient for other compositions." Below that came lyric poetry, and comic poetry, with a similar ranking for drama. The novel took a long time to establish a firm place in the hierarchy, doing so only as belief in any systematic hierarchy of forms expired in the 19th century.

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