The Charnel House in the context of "Anti-war"

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⭐ Core Definition: The Charnel House

The Charnel House (French: Le Charnier) is an unfinished 1944–1945 oil and charcoal on canvas painting by Spanish artist Pablo Picasso, which is purported to deal with the Nazi genocide of the Holocaust. The black and white 'grisaille' composition centres on a massed pile of corpses and was based primarily upon film and photographs of a slaughtered family during the Spanish Civil War. It is considered to be the second of three major anti-war Picassos, preceded by Guernica in 1937 and succeeded by Massacre in Korea in 1951. The painting is housed in the Museum of Modern Art in New York City.

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The Charnel House in the context of Massacre in Korea

Massacre in Korea (French: Massacre en Corée) is an expressionist painting completed on 18 January 1951 by Pablo Picasso. Picasso's third anti-war painting after Guernica and The Charnel House, Massacre depicts a scene of a massacre of a group of naked women and children by a firing squad. It has been considered to be a condemnation of American intervention in the Korean War. The painting was exhibited in the Musée Picasso in Paris.

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