The Canterbury Tales in the context of "Charlatan"

Narrative poetry is a form of poetry that tells a story, often using the voices of both a narrator and characters; the entire story is usually written in metered verse. Narrative poems do not need to rhyme. The poems that make up this genre may be short or long, and the story it relates to may be complex. It is normally dramatic, with various characters. Narrative poems include all epic poetry, and the various types of "lay", most ballads, and some idylls, as well as many poems not falling into a distinct type.

Some narrative poetry takes the form of a novel in verse. An example of this is The Ring and the Book by Robert Browning. In terms of narrative poetry, romance is a narrative poem that tells a story of chivalry. Examples include the Romance of the Rose or Tennyson's Idylls of the King. Although those examples use medieval and Arthurian materials, romances may also tell stories from classical mythology. Sometimes, these short narratives are collected into interrelated groups, as with Chaucer's The Canterbury Tales. So sagas include both incidental poetry and the biographies of poets.

Geoffrey Chaucer (/ˈdʒɛfri/ /ˈtʃɔːsər/; JEF-ree CHAW-sər; c. 1343 – 25 October 1400) was an English poet, writer and civil servant best known for The Canterbury Tales. He has been called the 'father of English literature', or alternatively, the 'father of English poetry'. He was the first writer to be buried in what has since become Poets' Corner in Westminster Abbey.

Chaucer also gained fame as a philosopher and astronomer, composing the scientific A Treatise on the Astrolabe for his ten-year-old son, Lewis. He maintained a career in public service as a bureaucrat, courtier, diplomat and member of the Parliament of England, having been elected as shire knight for Kent.

English literature is a form of literature written in the English language from the English-speaking world. The English language has developed over more than 1,400 years. The earliest forms of English, a set of Anglo-Frisian dialects brought to Great Britain by Anglo-Saxon settlers in the fifth century, are called Old English. Beowulf is the most famous work in Old English. Despite being set in Scandinavia, it has achieved national epic status in England. However, following the Norman Conquest of England in 1066, the written form of the Anglo-Saxon language became less common. Under the influence of the new aristocracy, French became the standard language of courts, parliament, and polite society. The English spoken after the Normans came is known as Middle English. This form of English lasted until the 1470s, when the Chancery Standard (late Middle English), a London-based form of English, became widespread. Geoffrey Chaucer, author of The Canterbury Tales, was a significant figure developing the legitimacy of vernacular Middle English at a time when the dominant literary languages in England were still French and Latin. The invention of the printing press by Johannes Gutenberg in 1439 also helped to standardise the language, as did the King James Bible (1611), and the Great Vowel Shift.

Poet and playwright William Shakespeare is widely regarded as the greatest writer in the English language and one of the world's greatest dramatists. His plays have been translated into every primary living language and are performed more often than those of any other playwright. In the nineteenth century, Sir Walter Scott's historical romances inspired a generation of European painters, composers, and writers.

Metafiction is a form of fiction that emphasizes its own narrative structure in a way that inherently reminds the audience that they are reading or viewing a fictional work. Metafiction is self-conscious about language, literary form, and storytelling, and works of metafiction directly or indirectly draw attention to their status as artifacts. Metafiction is frequently used as a form of parody or a tool to undermine literary conventions and explore the relationship between literature and reality, life and art.

Although metafiction is most commonly associated with postmodern literature that developed in the mid-20th century, its use can be traced back to much earlier works of fiction, such as The Canterbury Tales (Geoffrey Chaucer, 1387), Don Quixote Part Two (Miguel de Cervantes, 1615), Chymical Wedding of Christian Rosenkreutz (Johann Valentin Andreae, 1617), The Cloud Dream of the Nine (Kim Man-jung, 1687), The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759), Sartor Resartus (Thomas Carlyle, 1833–34), and Vanity Fair (William Makepeace Thackeray, 1847).

The Two Noble Kinsmen is a Jacobean tragicomedy, first published in 1634 and attributed jointly to John Fletcher and William Shakespeare. Its plot derives from "The Knight's Tale" in Geoffrey Chaucer's The Canterbury Tales (1387–1400), which had already been dramatised at least twice before, and itself was a shortened version of Boccaccio's epic poem Teseida. This play is believed to have been originally performed in 1613–1614, making it William Shakespeare's final play before he retired to Stratford-upon-Avon, where he died in 1616.

Formerly a point of controversy, the dual attribution is now generally accepted by scholarly consensus.

The Handmaid's Tale is a futuristic dystopian novel by Canadian author Margaret Atwood published in 1985. It is set in a near-future New England in a patriarchal, totalitarian theonomic state known as the Republic of Gilead, which has overthrown the United States government. Offred is the central character and narrator and one of the "Handmaids": women who are forcibly assigned to produce children for the "Commanders", who are the ruling class in Gilead.

The novel explores themes of powerless women in a patriarchal society, loss of female agency and individuality, suppression of reproductive rights, and the various means by which women resist and try to gain individuality and independence. The title echoes the component parts of Geoffrey Chaucer's The Canterbury Tales, which is a series of connected stories (such as "The Merchant's Tale" and "The Parson's Tale"). It also alludes to the tradition of fairy tales where the central character tells her story.

The Decameron (/dɪˈkæmərən/; Italian: Decameron [deˈkaːmeron, dekameˈrɔn, -ˈron] or Decamerone [dekameˈroːne]), subtitled Prince Galehaut (Old Italian: Prencipe Galeotto [ˈprentʃipe ɡaleˈɔtto, ˈprɛn-]) and sometimes nicknamed l'Umana commedia ("the Human comedy", as it was Boccaccio that dubbed Dante Alighieri's Comedy "Divine"), is a collection of short stories by the 14th-century Italian author Giovanni Boccaccio (1313–1375). The book is structured as a frame story containing 100 tales told by a group of seven young women and three young men; they shelter in a secluded villa just outside Florence in order to escape the Black Death, which was afflicting the city. The epidemic is likely what Boccaccio used for the basis of the book which was thought to be written between 1348 and 1353. The various tales of love in The Decameron range from the erotic to the tragic. Tales of wit, practical jokes, and life lessons also contribute to the mosaic. In addition to its literary value and widespread influence (for example on Chaucer's Canterbury Tales), it provides a document of life at the time. Written in the vernacular of the Florentine language, it is considered a masterpiece of early Italian prose.