The Big Sleep (1946 film) in the context of Leigh Brackett


The Big Sleep (1946 film) in the context of Leigh Brackett

⭐ Core Definition: The Big Sleep (1946 film)

The Big Sleep is a 1946 American film noir directed by Howard Hawks. William Faulkner, Leigh Brackett and Jules Furthman co-wrote the screenplay, which adapts Raymond Chandler's 1939 novel. The film stars Humphrey Bogart as private detective Philip Marlowe and Lauren Bacall as Vivian Rutledge in a story that begins with blackmail and leads to multiple murders.

Initially produced in late 1944, the film's release was delayed by more than a year because the studio wanted to release war films in anticipation of the end of World War II. A cut was released to servicemen overseas in 1945 shortly after its completion. During the delay, Bogart and Bacall married and Bacall was cast in Confidential Agent. When that movie failed, reshoots of The Big Sleep were done in early 1946 meant to take advantage of the public's fascination with "Bogie and Bacall".

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The Big Sleep (1946 film) in the context of William Faulkner

William Cuthbert Faulkner (/ˈfɔːknər/; September 25, 1897 – July 6, 1962) was an American writer. He is best known for his novels and short stories set in the fictional Yoknapatawpha County, Mississippi, a stand-in for Lafayette County where he spent most of his life. A Nobel laureate, Faulkner is one of the most celebrated writers of American literature, often considered the greatest writer of Southern literature and regarded as one of the most influential and important writers of the 20th century.

Faulkner was born in New Albany, Mississippi, and raised in Oxford, Mississippi. During World War I, he joined the Royal Canadian Air Force, but did not serve in combat. Returning to Oxford, he attended the University of Mississippi for three semesters before dropping out. He moved to New Orleans, where he wrote his first novel Soldiers' Pay (1925). He went back to Oxford and wrote Sartoris (1927), his first work set in Yoknapatawpha County. In 1929, he published The Sound and the Fury. The following year, he wrote As I Lay Dying. Later that decade, he wrote Light in August; Absalom, Absalom!; and The Wild Palms. He also worked as a screenwriter, contributing to Howard Hawks's To Have and Have Not and The Big Sleep, adapted from Raymond Chandler's novel. The former film, adapted from Ernest Hemingway's novel, is the only film with contributions by two Nobel laureates.

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The Big Sleep (1946 film) in the context of Howard Hawks

Howard Winchester Hawks (May 30, 1896 – December 26, 1977) was an American film director, producer, and screenwriter of the classic Hollywood era. The critic Leonard Maltin called him "the greatest American director who is not a household name." Roger Ebert called Hawks "one of the greatest American directors of pure movies, and a hero of auteur critics because he found his own laconic values in so many different kinds of genre material." He was nominated for the Academy Award for Best Director for Sergeant York (1941) and earned the Honorary Academy Award in 1974.

A versatile director, Hawks explored many genres such as comedies, dramas, gangster films, science fiction, film noir, war films and Westerns. His most popular films include Scarface (1932), Bringing Up Baby (1938), Only Angels Have Wings (1939), His Girl Friday (1940), To Have and Have Not (1944), The Big Sleep (1946), Red River (1948), The Thing from Another World (1951), Gentlemen Prefer Blondes (1953), and Rio Bravo (1959). His frequent portrayals of strong, tough-talking female characters came to define the "Hawksian woman".

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The Big Sleep (1946 film) in the context of The Big Sleep

The Big Sleep is a 1939 hardboiled crime novel by American-British writer Raymond Chandler, the first to feature the detective Philip Marlowe. It has been adapted for film twice, in 1946 and again in 1978. The story is set in Los Angeles.

The story is noted for its complexity, with characters double-crossing one another and secrets being exposed throughout the narrative. The title is a euphemism for death; the final pages of the book refer to a rumination about "sleeping the big sleep".

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