The Apocalypse in the context of "Jewish Bible"

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⭐ Core Definition: The Apocalypse

Apocalypse (from Ancient Greek ἀποκάλυψις (apokálupsis) 'revelation, disclosure') is a literary genre originating in Judaism in the centuries following the Babylonian exile (597–587 BCE) but persisting in Christianity and Islam. In apocalypse, a supernatural being reveals cosmic mysteries or the future to a human intermediary. The means of mediation include dreams, visions and heavenly journeys, and they typically feature symbolic imagery drawn from the Jewish Bible, cosmological and (pessimistic) historical surveys, the division of time into periods, esoteric numerology, and claims of ecstasy and inspiration. Almost all are written under pseudonyms, claiming as author a venerated hero from previous centuries, as with the Book of Daniel, composed during the 2nd century BCE but bearing the name of the legendary Daniel from the 6th century BCE.

Eschatology (from Greek eschatos, last) concerns expectations of the end of the present age. Thus, apocalyptic eschatology is the application of the apocalyptic world-view to the end of the world, when God will bring judgment to the world and save his followers. An apocalypse will often contain much eschatological material like the epiphany of Paul the Apostle, but need not: the baptism of Jesus in Matthew's gospel, for example, can be considered apocalyptic in that the heavens open for the presence of a divine mediator (the dove representing the spirit of God) and a voice communicates supernatural information, but there is no eschatological element. In popular use apocalypse often means such a catastrophic end-times event, but in scholarly use the term is restricted to the visionary or revelatory event.

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The Apocalypse in the context of Medieval England

England in the Middle Ages concerns the history of England during the medieval period, from the end of the 5th century through to the start of the early modern period in 1485. When England emerged from the collapse of the Roman Empire, the economy was in tatters and many of the towns abandoned. After several centuries of Germanic immigration, new identities and cultures began to emerge, developing into kingdoms that competed for power. A rich artistic culture flourished under the Anglo-Saxons, producing epic poems such as Beowulf and sophisticated metalwork. The Anglo-Saxons converted to Christianity in the 7th century, and a network of monasteries and convents were built across England. In the 8th and 9th centuries, England faced fierce Viking attacks, and the fighting lasted for many decades. Eventually, Wessex was established as the most powerful kingdom and promoted the growth of an English identity. Despite repeated crises of succession and a Danish seizure of power at the start of the 11th century, it can also be argued that by the 1060s England was a powerful, centralised state with a strong military and successful economy.

The Norman invasion of England in 1066 led to the defeat and replacement of the Anglo-Saxon elite with Norman and French nobles and their supporters. William the Conqueror and his successors took over the existing state system, repressing local revolts and controlling the population through a network of castles. The new rulers introduced a feudal approach to governing England, eradicating the practice of slavery, but creating a much wider body of unfree labourers called serfs. The position of women in society changed as laws regarding land and lordship shifted. England's population more than doubled during the 12th and 13th centuries, fueling an expansion of the towns, cities, and trade, helped by warmer temperatures across Northern Europe. A new wave of monasteries and friaries was established while ecclesiastical reforms led to tensions between successive kings and archbishops. Despite developments in England's governance and legal system, infighting between the Anglo-Norman elite resulted in multiple civil wars and the loss of Normandy.

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