Islamic music in the context of "Lute"

⭐ In the context of the lute, Islamic music is considered to have been influenced by lutes originating from which historical region?

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⭐ Core Definition: Islamic music

Islamic music may refer to religious music, as performed in Islamic public services or private devotions, or more generally to musical traditions of the Muslim world. The heartland of Islam is the Middle East, North Africa, the Horn of Africa, Balkans, and West Africa, Iran, Central Asia, and South Asia. Due to Islam being a multi-ethnic religion, the musical expression of its adherents is vastly diverse. Indigenous traditions of various part have influenced the musical styles popular among Muslims today. The word "music" in Arabic, the language of Islam, (mūsīqā موسيقى) is defined more narrowly than in English or some other languages, and "its concept" was at least originally "reserved for secular art music; separate names and concepts belonged to folk songs and to religious chants".

At least one scholar (Jacob M. Landau) makes the generalization about Islamic music that it "is characterized by a highly subtle organization of melody and rhythm", that "the vocal component predominates over the instrumental", and that the individual musician "is permitted, and indeed encouraged, to improvise".

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👉 Islamic music in the context of Lute

A lute (/ljt/ or /lt/) is any plucked string instrument with a neck and a deep round back enclosing a hollow cavity, usually with a sound hole or opening in the body. It may be either fretted or unfretted.

More specifically, the term "lute" commonly refers to an instrument from the family of European lutes, which were themselves influenced by short-necked lutes in Gandhara (modern-day Pakistan) which became the predecessor of the Islamic, the Sino-Japanese and the European lute families. The term also refers generally to any necked string instrument having the strings running in a plane parallel to the sound table (in the Hornbostel–Sachs system).

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Islamic music in the context of Devotional song

A devotional song is a hymn that accompanies religious observances and rituals. Traditionally devotional music has been a part of Hindu music, Jewish music, Buddhist music, Islamic music and Christian music.

Each major religion has its own tradition with devotional hymns. In Christianity, the devotional has been a part of the liturgy in Roman Catholicism, Lutheranism, the Greek Orthodox Church, the Russian Orthodox Church, and others, since their earliest days. A devotional is a part of the prayer service proper and is not, in these contexts, ornamentation. Within the Reformed tradition, church music in general was hotly debated; some Puritans objected to all ornament and sought to abolish choirs, hymns, and, inasmuch as liturgy itself was rejected, devotionals.

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Islamic music in the context of Nazrul Geeti

Nazrul Sangeet (Bengali: নজরুল সঙ্গীত), also Nazrul Geeti (Bengali: নজরুল গীতি; lit.'music of Nazrul'), refers to the songs written and composed by Kazi Nazrul Islam, who is the national poet of Bangladesh. Nazrul Geeti incorporate revolutionary notions as well as more spiritual, philosophical and romantic themes. Nazrul wrote and composed nearly 4,000 songs (including gramophone records), which are widely popular in Bangladesh and India. Some of the most notable Nazrul Sangeet include Notuner Gaan, the national marching song of Bangladesh and O Mon Romzaner Oi Rozar Sheshe, a Bengali Islamic song on the festival of the Bengali celebration of Chand Raat and Eid-ul-Fitr.

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