The Alchemist Discovering Phosphorus is a painting by Joseph Wright of Derby originally completed in 1771 then reworked in 1795. The full title of the painting is The Alchymist, in Search of the Philosopher's Stone, Discovers Phosphorus, and prays for the successful Conclusion of his operation, as was the custom of the Ancient Chymical Astrologers. It has been suggested that The Alchymist refers to the discovery of phosphorus by the Hamburg alchemist Hennig Brand in 1669. This story was often printed in popular chemical books in Wright's lifetime, and was widely known.
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π The Alchemist Discovering Phosphorus in the context of Philosophers' stone
The philosopher's stone is a mythic alchemical substance capable of turning base metals such as lead and mercury into gold or silver; it was also known as "the tincture" and "the powder" as well as "red lion" for gold and "white lion" for silver. Alchemists additionally believed that it could be used to make an elixir of life which made possible rejuvenation and immortality.
For many centuries, it was the most sought-after goal in alchemy. The philosopher's stone was the central symbol of the mystical terminology of alchemy, symbolizing perfection at its finest, divine illumination, and heavenly bliss. Efforts to discover the philosopher's stone were known as the Magnum Opus ("Great Work").
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The Alchemist Discovering Phosphorus in the context of Hennig Brand
Hennig Brand (German pronunciation: [ΛhΙnΙͺΓ§ bΚant]; c.β1630Β β c.β1692 or c.β1710) was a German alchemist who lived and worked in Hamburg. In 1669, Brand accidentally discovered the chemical element phosphorus while searching for the "philosopher's stone", a substance which was believed to transmute base metals into gold.
The Alchemist Discovering Phosphorus in the context of Romanticism in science
19th-century science was greatly influenced by Romanticism (or the Age of Reflection, c. 1800β1840), an intellectual movement that originated in Western Europe as a counter-movement to the late-18th-century Enlightenment. Romanticism incorporated many fields of study, including politics, the arts, and the humanities.
In contrast to the Enlightenment's mechanistic natural philosophy, European scientists of the Romantic period held that observing nature implied understanding the self and that knowledge of nature "should not be obtained by force". They felt that the Enlightenment had encouraged the abuse of the sciences, and they sought to advance a new way to increase scientific knowledge, one that they felt would be more beneficial not only to mankind but to nature as well.