Théâtre du Marais in the context of Molière's company


Théâtre du Marais in the context of Molière's company

⭐ Core Definition: Théâtre du Marais

The Théâtre du Marais (French pronunciation: [teɑtʁ dy maʁɛ]) has been the name of several theatres and theatrical troupes in Paris, France. The original and most famous theatre of the name operated in the 17th century. The name was briefly revived for a revolutionary theatre in 1791, and revived again in 1976. The present-day Théâtre du Marais operates at 37, rue Volta in the 3rd arrondissement of Paris.

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👉 Théâtre du Marais in the context of Molière's company

Molière's company (La Troupe de Molière) was the theatrical company which formed around Molière from 1648 onwards, when he was performing in the French provinces after the failure of the Illustre Théâtre in 1645. In 1658 the company moved to Paris and, after a successful performance on 24 October 1658 in front of Louis XIV at the Louvre, was allowed to share the large hall in the Hôtel du Petit-Bourbon with the Italian players of Tiberio Fiorillo. At this time Molière's company became known as the Théâtre de Monsieur, since their official sponsor was the King's brother Philippe, Duke of Orléans, known as Monsieur. When the Petit Bourbon was demolished in 1660 to make way for the eastern expansion of the Louvre, Molière's troupe was allowed to use the abandoned Théâtre du Palais-Royal. The latter theatre had originally been built by Cardinal Richelieu in 1641. After Molière's death in 1673, his widow Armande Béjart and the actor La Grange kept the remnants of the company together, merging with the players from the Théâtre du Marais and moving to the Théâtre de Guénégaud. In 1680 the troupe of the Hôtel de Bourgogne joined the players at the Guénégaud, giving birth to the Comédie-Française.

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Théâtre du Marais in the context of Le Cid

Le Cid is a five-act French tragicomedy written by Pierre Corneille, first performed in December 1636 at the Théâtre du Marais in Paris and published the same year. It is based on Guillén de Castro's play Las Mocedades del Cid. Castro's play in turn is based on the legend of El Cid.

An enormous popular success, Corneille's Le Cid was the subject of a heated polemic over the norms of dramatic practice known as the Querelle du Cid (Quarrel of The Cid). Cardinal Richelieu's Académie française acknowledged the play's success, but determined that it was defective, in part because it did not respect the classical unities.

View the full Wikipedia page for Le Cid
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