Textiles in the context of "Calendering"

Paper is a thin sheet of matted cellulose fibers. Largely derived from lignocellulose, paper is created from a pulp dissolved into a slurry that is drained and dried into sheets. Different types of paper are defined by constituent fiber, paper pulp, sizing, coating, paper size, paper density and grammage.

The papermaking process developed in East Asia at least as early as 105 CE by the Han court eunuch Cai Lun, although archaeological evidence exists of 2nd century BCE paper-like material in China. Before the industrialization of paper production, the most common paper was rag paper, made from discarded natural fiber textiles collected by ragpickers. The 1843 invention of wood pulp, coupled with the Second Industrial Revolution, made pulpwood paper the dominant variety to this day.

Hugo Alvar Henrik Aalto (Finnish: [ˈhuːɡo ˈɑlʋɑr ˈhenrik ˈɑːlto]; 3 February 1898 – 11 May 1976) was a Finnish architect and designer. His work includes architecture, furniture, textiles and glassware, as well as sculptures and paintings. He never regarded himself as an artist, seeing painting and sculpture as "branches of the tree whose trunk is architecture." Aalto's early career ran in parallel with the rapid economic growth and industrialization of Finland during the first half of the 20th century. Many of his clients were industrialists, among them the Ahlström-Gullichsen family, who became his patrons. The span of his career, from the 1920s to the 1970s, is reflected in the styles of his work, ranging from Nordic Classicism of the early work, to a rational International Style Modernism during the 1930s to a more organic modernist style from the 1940s onwards.

His architectural work, throughout his entire career, is characterized by a concern for design as Gesamtkunstwerk—a total work of art in which he, together with his first wife Aino Aalto, would design not only the building but the interior surfaces, furniture, lamps, and glassware as well. His furniture designs are considered Scandinavian Modern, an aesthetic reflected in their elegant simplification and concern for materials, especially wood, but also in Aalto's technical innovations, which led him to receiving patents for various manufacturing processes, such as those used to produce bent wood. As a designer he is celebrated as a forerunner of midcentury modernism in design; his invention of bent plywood furniture had a profound impact on the aesthetics of Charles and Ray Eames and George Nelson. The Alvar Aalto Museum, designed by Aalto himself, is located in what is regarded as his home city, Jyväskylä.

In architecture and decorative art, ornament is decoration used to embellish parts of a building or object. Large figurative elements such as monumental sculpture and their equivalents in decorative art are excluded from the term; most ornaments do not include human figures, and if present they are small compared to the overall scale. Architectural ornament can be carved from stone, wood or precious metals, formed with plaster or clay, or painted or impressed onto a surface as applied ornament; in other applied arts the main material of the object, or a different one such as paint or vitreous enamel may be used.

A wide variety of decorative styles and motifs have been developed for architecture and the applied arts, including pottery, furniture, metalwork. In textiles, wallpaper and other objects where the decoration may be the main justification for its existence, the terms pattern or design are more likely to be used. The vast range of motifs used in ornament draw from geometrical shapes and patterns, plants, and human and animal figures. Across Eurasia and the Mediterranean world there has been a rich and linked tradition of plant-based ornament for over three thousand years; traditional ornament from other parts of the world typically relies more on geometrical and animal motifs. The inspiration for the patterns usually lies in the nature that surrounds the people in the region. Many nomadic tribes in Central Asia had many animalistic motifs before the penetration of Islam in the region.

Rag paper is a category of paper that is made from a pulp of discarded textiles, rope and other fibre products. Rag paper in its various forms was a widely-used paper for most of the past two millennia. Production spread along the Silk Road from its early 2nd-century origin in China to the Islamic world by the 8th century. It was introduced into Christian Europe by the 12th century, and western Europe came to dominate rag production up until the mid-19th century, when rag paper was displaced in favour of far more cost-efficient pulpwood acidic paper.

Rag paper is valued today as a specialty paper for its archival quality and tear resistance compared to wood pulp paper. Modern rag paper is often cotton paper, made from cotton linters, with a usual pH of 6.4 and degree of polymerization of 1481.2.

The Blockade of Germany (1939–1945), also known as the Economic War, involved operations carried out during World War II by the British Empire and by France in order to restrict the supplies of minerals, fuel, metals, food and textiles needed by Nazi Germany – and later by Fascist Italy – in order to sustain their war efforts. The economic war consisted mainly of a naval blockade, which formed part of the wider Battle of the Atlantic, but also included the bombing of economically important targets and the preclusive buying of war materials from neutral countries in order to prevent their sale to the Axis powers.

• The first period, from the beginning of European hostilities in September 1939 to the end of the "Phoney War", saw both the Allies and the Axis powers intercepting neutral merchant ships to seize deliveries en route to their respective enemies. Naval blockade at this time proved less than effective because the Axis could get crucial materials from the Soviet Union until June 1941, while Berlin used harbours in Spain to import war materials into Germany.
• The second period began after the rapid Axis occupation of the majority of the European landmass (Scandinavia, Benelux, France and the Balkans) in 1940–1941, resulting in Axis control of major centres of industry and agriculture.
• The third period started in December 1941 after the attack on Pearl Harbor by the Imperial Japanese Navy Air Service brought the U.S. officially into the European war.
• The final period came after the tide of war finally turned against the Axis after heavy military defeats up to and after D-Day in June 1944, which led to gradual Axis withdrawals from the occupied territories in the face of the overwhelming Allied military offensives.

The study of the history of clothing and textiles traces the development, use, and availability of clothing and textiles over human history. Clothing and textiles reflect the materials and technologies available in different civilizations at different times. The variety and distribution of clothing and textiles within a society reveal social customs and culture.

The wearing of clothing is exclusively a human characteristic and is a feature of most human societies. There has always been some disagreement among scientists on when humans began wearing clothes, but newer studies from The University of Florida involving the evolution of body lice suggest it started sometime around 170,000 years ago. The results of the UF study show humans started wearing clothes, a technology that allowed them to successfully migrate out of Africa. Anthropologists believe that animal skins and vegetation were adapted into coverings as protection from cold, heat, and rain, especially as humans migrated to new climates.Silk weaving began in India c. 400 AD; cotton spinning began in India c. 3000 BC. A recent archaeological excavation from Neolithic Mehrgarh revealed in the article Analysis of Mineralized Fibres from a Copper Bead, that cotton fibers were used in the Indus Valley c. 7000 BC.

The incense trade route was an ancient network of major land and sea trading routes linking the Mediterranean world with eastern and southern sources of incense, spices and other luxury goods, stretching from Mediterranean ports across the Levant and Egypt through Northeast Africa and Arabia —through both the sea and the land along the Red Sea— to India and beyond. These routes collectively served as channels for the trading of goods such as Arabian frankincense and myrrh; Indian spices, precious stones, pearls, ebony, silk and fine textiles; and from the Horn of Africa, rare woods, feathers, animal skins, Somali frankincense, gold, and slaves. The incense land trade from South Arabia to the Mediterranean flourished between roughly the 3rd century BC and the 2nd century AD.

Viking art, also known commonly as Norse art, is a term widely accepted for the art of Scandinavian Norsemen and Viking settlements further afield—particularly in the British Isles and Iceland—during the Viking Age of the 8th-11th centuries. Viking art has many design elements in common with Celtic, Germanic, the later Romanesque and Eastern European art, sharing many influences with each of these traditions.

Generally speaking, the current knowledge of Viking art relies heavily upon more durable objects of metal and stone; wood, bone, ivory and textiles are more rarely preserved. The artistic record, therefore, as it has survived to the present day, remains significantly incomplete. Ongoing archaeological excavation and opportunistic finds, of course, may improve this situation in the future, as indeed they have in the recent past.

Specialty chemicals (also called specialties or effect chemicals) are particular chemical products that provide a wide variety of effects on which many other industry sectors rely. Some of the categories of speciality chemicals are adhesives, agrichemicals, cleaning materials, colors, cosmetic additives, construction chemicals, elastomers, flavors, food additives, fragrances, industrial gases, lubricants, paints, polymers, surfactants, and textile auxiliaries. Other industrial sectors such as automotive, aerospace, food, cosmetics, agriculture, manufacturing, and textiles are highly dependent on such products.

Speciality chemicals are materials used on the basis of their performance or function. Consequently, in addition to "effect" chemicals they are sometimes referred to as "performance" chemicals or "formulation" chemicals. They can be unique molecules or mixtures of molecules known as formulations. The physical and chemical characteristics of the single molecules or the formulated mixtures of molecules and the composition of the mixtures influences the performance end product. In commercial applications the companies providing these products more often than not provide targeted customer service to innovative individual technical solutions for their customers. This is a differentiating component of the service provided by speciality chemical producers when they are compared to the other sub-sectors of the chemical industry such as fine chemicals, commodity chemicals, petrochemicals and pharmaceuticals.