Ten Idylls in the context of "Sangam literature"

The Sangam literature (Tamil: சங்க இலக்கியம், caṅka ilakkiyam), historically known as 'the poetry of the noble ones' (Tamil: சான்றோர் செய்யுள், Sāṉdṟōr Seyyuḷ), connotes the early classical Tamil literature and is the earliest known literature of South India. The Tamil tradition links it to legendary literary gatherings around Madurai in the ancient Pandya kingdom. It is generally accepted by most scholars that the historical Sangam literature era, also known as the Sangam period, spanned from c. 100 BCE to 250 CE, on the basis of linguistic, epigraphic, archaeological, numismatic and historical data; though some scholars give a broader range of 300 BCE to 300 CE.

The Eighteen Greater Texts (Patiṉeṇmēlkaṇakku), along with the Tamil grammar work Tolkappiyam, are collectively considered as Sangam literature. These texts are classified into the Ettuttokai (Eight Anthologies) and Pattupattu (Ten Idylls). They encompass both Akam (interior) themes, focusing on personal emotions and love, and Puram (exterior) themes, emphasizing heroism, ethics, and societal values. Notable works include Akananuru (400 love poems), Purananuru (400 heroic poems), Kurunthogai (short love poems), and Natrinai (poems set in five landscapes). The Pattuppāṭṭu highlights specific regions and rulers, with works like Malaipadukadam and Perumpanarrupadai serving as guides to wealth and prosperity.

The Eighteen Greater Texts, known as Patiṉeṇmēlkaṇakku (Tamil: பதினெண்மேல்கணக்கு) in the literature, is the collection of the oldest surviving Tamil poetry. This collection is considered part of the Sangam Literature and dated approximately between 100 BCE and 200 CE. A series of eighteen major anthologies, it contains the Eight Anthologies (Ettuthokai) and the Ten Idylls (Pattupattu). The songs in the Eighteen Greater Texts anthology are set in the Akaval style.

The Eighteen Greater Texts anthology contains 2,381 poems including the ten larger works belonging to the Ten Idylls collection. These poems are attributed to 473 poets. Sixteen of the 473 poets are responsible for 1,177 of the 2,279 poems for which the name of the author is known. In all, 102 of the poems are anonymous. Notably, the pathirruppathu collection exclusively collects poetry from the Cheral kings (from Kerala), whereas the other collections contain a mix of poetry patronized by diverse Tamil kings.

The Eight Anthologies, known as Eṭṭuttokai (Tamil: எட்டுத்தொகை) or "Eight Collections" in the literature, is a classical Tamil poetic work that forms part of the Eighteen Greater Texts (Patiṉeṇmēlkaṇakku) anthology series of the Sangam Literature. The Eight Anthologies and its companion anthology, the Ten Idylls (Pattuppāṭṭu), is the oldest available Tamil literature. According to Kamil Zvelebil, a scholar of Tamil literature and history, dating these Eight Anthologies or their relative chronology is difficult, but the scholarship so far suggested that the earliest layers were composed sometime between the 1st century BCE and 2nd century CE, while the last layers were completed between 3rd and 5th century CE.

Tirumurukātṟuppatai (Tamil: திருமுருகாற்றுப்படை, meaning Guide to Lord Murugan) is an ancient devotional Tamil poem in the Sangam literature genre entirely dedicated to the god Murugan. Murugan is described as the nephew of the god Vishnu, who is called Mayon or the ruler of the worlds. Authored by Nakkiranar, it is the first poem in the Ten Idylls (Pattuppāṭṭu) anthology. The poem is generally dated to the late classical period (2nd to 4th century CE), with some scholars suggesting it may have been composed a few centuries later.

The anthologies and poems of the Sangam literature have numerous references and verses to Murugan – also known as Subrahmanya, Kumara, Skanda, Kartikeya in other parts of India. The Tirumurukarruppatai poem is exclusively about different manifestations and shrines of Murugan. It describes different major temples dedicated to him in the Tamil region, six locations, the natural scenes, worship practices and the culture of the people.