Temple of Heaven in the context of Sacrifice to Heaven


Temple of Heaven in the context of Sacrifice to Heaven

⭐ Core Definition: Temple of Heaven

The Temple of Heaven (simplified Chinese: 天坛; traditional Chinese: 天壇; pinyin: Tiāntán) is a complex of imperial religious Confucian buildings situated in the southeastern part of central Beijing. The complex was visited by the Emperors of the Ming and Qing dynasties for annual ceremonies of prayer to Heaven for a good harvest. The Temple of Heaven was inscribed as a World Heritage site in 1998 and was described as "a masterpiece of architecture and landscape design which simply and graphically illustrates a cosmogony of great importance for the evolution of one of the world's great civilizations..." as the "symbolic layout and design of the Temple of Heaven had a profound influence on architecture and planning in the Far East over many centuries."

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👉 Temple of Heaven in the context of Sacrifice to Heaven

Sacrifice to Heaven (Chinese: 祭天; pinyin: Jìtiān) is an Asian religious practice originating in the worship of Shangdi in China. In Ancient Chinese society, nobles of all levels constructed altars for Heaven. At first, only nobles could worship Shangdi but later beliefs changed and everyone could worship Shangdi.

Modern Confucian churches make this practice available to all believers and it continues in China without a monarch.

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Temple of Heaven in the context of Wuxing (Chinese philosophy)

Wuxing (Chinese: 五行; pinyin: wǔxíng; Jyutping: Ng Hang), translated as Five Moving Ones, Five Circulations, Five Types of Energy, Five Elements, Five Transformations, Five Phases or Five Agents, is a fivefold conceptual scheme used in many traditional Chinese fields of study to explain a wide array of phenomena, including terrestrial and celestial relationships, influences, and cycles, that characterise the interactions and relationships within science, medicine, politics, religion and social relationships and education within Chinese culture.

The Five Moving Ones are traditionally associated with the classical planets: Mars, Mercury, Jupiter, Venus, and Saturn as depicted in the etymological section below. In ancient Chinese astronomy and astrology, that spread throughout East Asia, was a reflection of the seven-day planetary order of Fire, Water, Wood, Metal, Earth. When in their "heavenly stems" generative cycle as represented in the below cycles section and depicted in the diagram above running consecutively clockwise (Wood, Fire, Earth, Metal, Water). When in their overacting destructive arrangement of Wood, Earth, Water, Fire, Metal, natural disasters, calamity, illnesses and disease will ensue.

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Temple of Heaven in the context of Shangdi

Shangdi (Chinese: 上帝; pinyin: Shàngdì; Wade–Giles: Shang Ti), also called simply Di (Chinese: ; pinyin: ; lit. 'Lord'), is the name of the Chinese Highest Deity or "Lord Above" in the theology of the classical texts, especially deriving from Shang theology and finding an equivalent in the later Tiān ("Heaven" or "Great Whole") of Zhou theology.

Although the use of "Tian" to refer to the absolute God of the universe is predominant in Chinese religion today, "Shangdi" continues to be used in a variety of traditions, including certain philosophical schools, certain strains of Chinese Buddhism, Taoism, Confucianism, some Chinese salvationist religions (notably Yiguandao) and Chinese Protestant Christianity. In addition, it is commonly used by contemporary Chinese (both mainland and overseas) and by religious and secular groups in East Asia, as a name of a singular universal deity and as a non-religious translation for God in Abrahamic religions.

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