Temple of Aphaea in the context of "Panhellenic sanctuary"

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⭐ Core Definition: Temple of Aphaea

The Temple of Aphaia (Greek: Ναός Αφαίας) is an Ancient Greek temple located within a sanctuary complex dedicated to the goddess Aphaia on the island of Aegina, which lies in the Saronic Gulf. Formerly known as the Temple of Jupiter Panhellenius, the Doric temple is now recognized as having been dedicated to the mother-goddess Aphaia. It was a favourite of Neoclassical and Romantic artists such as J. M. W. Turner. It stands on a c. 160 m peak on the eastern side of the island approximately 13 km east by road from the main port.

Aphaia (Greek Ἀφαία) was a Greek goddess who was worshipped exclusively at this sanctuary. The extant temple of c. 500 BC was built over the remains of an earlier temple of c. 570 BC, which was destroyed by fire c. 510 BC. Elements of this older temple were buried in the infill for the larger, flat terrace of the later temple, and are thus well preserved. Abundant traces of paint remain on many of these buried fragments. There may have been another temple in the 7th century BC, also located on the same site, but it is thought to have been much smaller and simpler in terms of both plan and execution. Significant quantities of Late Bronze Age figurines have been discovered at the site, including proportionally large numbers of female figurines (kourotrophoi), indicating – perhaps – that cult activity at the site was continuous from the 14th century BC, suggesting a Minoan connection for the cult. The last temple is of an unusual plan and is also significant for its pedimental sculptures, which are thought to illustrate the change from Archaic to Early Classical technique. These sculptures are on display in the Glyptothek of Munich, with a number of fragments located in the museums at Aegina and on the site itself.

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Temple of Aphaea in the context of Metope

A metope (/ˈmɛtəpi/; Ancient Greek: μετόπη) is a rectangular architectural element of the Doric order, filling the space between triglyphs in a frieze, a decorative band above an architrave.In earlier wooden buildings the spaces between triglyphs were first open, and later the free spaces in between triglyphs were closed with metopes; however, metopes are not load-bearing part of a building.Earlier metopes are plain, but later metopes were painted or ornamented with reliefs. The painting on most metopes has been lost, but sufficient traces remain to allow a close idea of their original appearance.

In terms of structure, metopes were made out of clay or stone. A stone metope may be carved from a single block with a triglyph (or triglyphs), or they may be cut separately and slide into slots in the triglyph blocks as at the Temple of Aphaea. Sometimes the metopes and friezes were cut from different stone, so as to provide color contrast. Although they tend to be close to square in shape, some metopes are noticeably larger in height or in width. They may also vary in width within a single structure to allow for corner contraction, an adjustment of the column spacing and arrangement of the Doric frieze in a temple to make the design appear more harmonious.

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Temple of Aphaea in the context of Aegina (mythology)

Aegina (/iˈnə/; Ancient Greek: Αἴγινα) was a figure of Greek mythology, the nymph of the island that bears her name, Aegina, lying in the Saronic Gulf between Attica and the Peloponnesos. The archaic Temple of Aphaea, the "Invisible Goddess", on the island was later subsumed by the cult of Athena. Aphaia (Ἀφαῖα) may be read as an attribute of Aegina that provides an epithet, or as a doublet of the goddess.

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Temple of Aphaea in the context of Aphaia

Aphaia (Ancient Greek: Ἀφαία, Aphaía) was a Greek goddess who was worshipped almost exclusively at a single sanctuary on the island of Aegina in the Saronic Gulf.

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