Ted Post in the context of "The Twilight Zone (1959 TV series)"

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⭐ Core Definition: Ted Post

Theodore Ian Post (March 31, 1918 – August 20, 2013) was an American director of film and television. Highly prolific, Post directed numerous episodes of well-known television series including Rawhide, Gunsmoke, and The Twilight Zone as well as blockbuster films such as Hang 'Em High, Beneath the Planet of the Apes and Magnum Force.

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Ted Post in the context of Hang 'Em High

Hang 'Em High is a 1968 American revisionist Western film directed by Ted Post and written by Leonard Freeman and Mel Goldberg. It stars Clint Eastwood as Jed Cooper, an innocent man who survives a lynching; Inger Stevens as a widow who helps him; Ed Begley as the leader of the gang that lynched Cooper; and Pat Hingle as the federal judge who hires him as a Deputy U.S. Marshal. It was the first production of The Malpaso Company, Eastwood's production company.

Hingle portrays a fictional judge who mirrors Judge Isaac C. Parker, labeled the "Hanging Judge" due to the large number of men he sentenced to be executed during his service in the late 1800s as District Judge of the United States District Court for the Western District of Arkansas. The film also depicts the dangers of serving as a Deputy U.S. Marshal during that period, as many federal marshals were killed while serving under Parker. The fictional Fort Grant, base for operations for that district judge seat, is also a mirror of the factual Fort Smith, Arkansas, where Judge Parker's court was located.

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Ted Post in the context of Splatter film

A splatter film is a subgenre of horror film that deliberately focuses on graphic portrayals of gore and graphic violence. These films, usually through the use of special effects, display a fascination with the vulnerability of the human body and the theatricality of its mutilation. The term "splatter cinema" was coined by George A. Romero to describe his film Dawn of the Dead, though Dawn of the Dead is generally considered by critics as possessing higher aspiration (such as social commentary) rather than simply being exploitative for its own sake.

The term was popularized by John McCarty's 1981 book Splatter Movies, subtitled: Breaking The Last Taboo: A Critical Survey of the Wildly Demented Sub Genre of the Horror Film that Is Changing the Face of Film Realism Forever. The first significant publication to attempt to define and analyse the 'splatter film', McCarty suggests that splatter is indicative of broader trends in film production. Though splatter is associated with fairly extreme horror films, and such works form the main focus of the book, a relatively diverse range of titles dating mainly from the 1960s to late 1970s are also included; examples include John Waters' Female Trouble, Ted Post's Magnum Force, Terry Gilliam's Jabberwocky, and Walter Hill's Western The Long Riders. This filmography implies that the influence of film-makers such as Sam Peckinpah or Andy Warhol, to name two, is as significant to the development of the form as Grand Guignol, Hammer Films or Herschell Gordon Lewis.

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Ted Post in the context of Magnum Force

Magnum Force is a 1973 American neo-noir action-thriller film and the second to feature Clint Eastwood as maverick cop Harry Callahan after the 1971 film Dirty Harry. Ted Post, who had previously worked with Eastwood on Rawhide and Hang 'Em High, directed the film. The screenplay was written by John Milius and Michael Cimino (who later worked with Eastwood on Thunderbolt and Lightfoot). The film score was composed by Lalo Schifrin. This film features early appearances by David Soul, Tim Matheson, and Robert Urich. At 123 minutes, it is the longest of the five Dirty Harry films.

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Ted Post in the context of Sudden Impact

Sudden Impact is a 1983 American neo-noir action-thriller film, the fourth in the Dirty Harry series, directed, produced by, and starring Clint Eastwood (making it the only Dirty Harry film to be directed by Eastwood himself) and co-starring Sondra Locke. The film tells the story of a gang-rape victim (Locke) who decides to seek revenge on her rapists 10 years after the attack by killing them one by one. Inspector Callahan (Eastwood), famous for his unconventional and often brutal crime-fighting tactics, is tasked with tracking down the serial killer.

The film is notable for the catchphrase "Go ahead, make my day", written by John Milius and uttered by Clint Eastwood's gun-wielding character at the beginning of the film as he stares down an armed robber who is holding a hostage. This is the last Dirty Harry film to feature Albert Popwell. It is also the second film in the series to feature Bradford Dillman, although in a different role than the one in The Enforcer, and the third to be scored by Lalo Schifrin. Character actor and Eastwood's friend Pat Hingle is also in the film ; he had performed alongside Eastwood in Hang 'Em High (directed by Ted Post, who would also direct Magnum Force, the second entry in the Dirty Harry series) and The Gauntlet (directed by Eastwood, and featuring Sondra Locke as well). At 117 minutes, it is the second longest film of the series after Magnum Force.

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