Tattoo in the context of Body alteration


Tattoo in the context of Body alteration

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⭐ Core Definition: Tattoo

A tattoo is a form of body modification made by inserting tattoo ink, dyes, or pigments, either indelible or temporary, into the dermis layer of the skin to form a design. Tattoo artists create these designs using several tattooing processes and techniques, including hand-tapped traditional tattoos and modern tattoo machines. The history of tattooing goes back to Neolithic times, practiced across the globe by many cultures, and the symbolism and impact of tattoos varies in different places and cultures.

Tattoos may be decorative (with no specific meaning), symbolic (with a specific meaning to the wearer), pictorial (a depiction of a specific person or item), or textual (words or pictographs from written languages). Many tattoos serve as rites of passage, marks of status and rank, symbols of religious and spiritual devotion, decorations for bravery, marks of fertility, pledges of love, amulets and talismans, protection, and as punishment, like the marks of outcasts, slaves, and convicts. Extensive decorative tattooing has also been part of the work of performance artists such as tattooed ladies.

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Tattoo in the context of Self-harm

Self-harm is intentional behavior that causes harm to oneself. This is most commonly regarded as direct injury of one's own tissues, usually without suicidal intention. Other terms such as cutting, self-abuse, self-injury, and self-mutilation have been used for any self-harming behavior regardless of suicidal intent. Common forms of self-harm include damaging the skin with a sharp object or scratching with the fingernails, hitting, or burning. The exact bounds of self-harm are imprecise, but generally exclude tissue damage that occurs as an unintended side-effect of eating disorders or substance abuse, as well as more societally acceptable body modification such as tattoos and piercings.

Although self-harm is by definition non-suicidal, it may still be life-threatening. People who do self-harm are more likely to die by suicide, and 40–60% of people who die by suicide have previously self-harmed. Still, only a minority of those who self-harm are suicidal.

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Tattoo in the context of Guo Wei

Guo Wei (Chinese: 郭威) (10 September 904 – 22 February 954), also known by his temple name as the Emperor Taizu of Later Zhou (後周太祖), was the founding emperor of the Chinese Later Zhou dynasty during the Five Dynasties and Ten Kingdoms period, reigning from 951 until his death in 954.

Nicknamed "Sparrow Guo" (郭雀兒) after a sparrow-shaped tattoo on his neck, he rose to a high position in the Later Han as an assistant military commissioner. He founded the Later Zhou in 951.

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Tattoo in the context of Body paint

Body painting is a form of body art where artwork is painted directly onto the human skin. Unlike tattoos and other forms of body art, body painting is temporary, lasting several hours or sometimes up to a few weeks (in the case of mehndi or "henna tattoos" about two weeks). Body painting that is limited to the face is known as face painting. Body painting is also referred to as (a form of) "temporary tattoo". Large scale or full-body painting is more commonly referred to as body painting, while smaller or more detailed work can sometimes be referred to as temporary tattoos.

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Tattoo in the context of Freak show

A freak show is an exhibition of biological rarities, referred to in popular culture as "freaks of nature". Typical features would be physically unusual humans, such as those uncommonly large or small, those with extraordinary diseases and conditions, and others with performances expected to be shocking to viewers. Heavily tattooed or pierced people have sometimes been seen in freak shows (more common in modern times as a sideshow act), as have attention-getting physical performers such as fire-eating and sword-swallowing acts.

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Tattoo in the context of Body modification

Body modification (or body alteration) is the deliberate altering of the human anatomy or human physical appearance. In its broadest definition it includes skin tattooing, socially acceptable decoration (e.g., common ear piercing in many societies), and religious rites of passage (e.g., circumcision in a number of cultures), as well as the modern primitive movement.

Body modification is performed for a large variety of reasons, including aesthetics, sexual enhancement, rites of passage, religious beliefs, to display group membership or affiliation, in remembrance of lived experience, traditional symbolism such as axis mundi and mythology, to create body art, for shock value, and as self-expression, among other reasons.

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Tattoo in the context of Livestock branding

Livestock branding is a technique for marking livestock so as to identify the owner. Originally, livestock branding only referred to hot branding large stock with a branding iron, though the term now includes alternative techniques. Other forms of livestock identification include freeze branding, inner lip or ear tattoos, earmarking, ear tagging, and radio-frequency identification (RFID), which is tagging with a microchip implant. The semi-permanent paint markings used to identify sheep are called a paint or color brand. In the American West, branding evolved into a complex marking system still in use today.

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Tattoo in the context of Nautical star

The nautical star is a symbolic star representing the North Star, associated with the sea services of the United States armed forces and with tattoo culture. It is usually rendered as a five-pointed star in dark and light shades counterchanged in a style similar to a compass rose.

In Unicode, this symbol is in the dingbats block as U+272F PINWHEEL STAR, referencing a pinwheel toy.

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Tattoo in the context of Tattoo artist

A tattoo artist (also tattooer or tattooist) is an individual who applies permanent decorative tattoos, often in an established business called a "tattoo shop", "tattoo studio" or "tattoo parlour". Tattoo artists usually learn their craft via an apprenticeship under a trained and experienced mentor.

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Tattoo in the context of Heavy metal subculture

Fans of heavy metal music, commonly referred to as "metalheads", have created their own subculture that encompasses more than just appreciation of the style of music. Fans affirm their membership in the subculture or scene by attending metal concerts (an activity seen as central to the subculture), buying albums, growing their hair long (although some metalheads do wear their hair short; one very famous example is late 70s to 80s-era Rob Halford), wearing jackets or vests often made of denim and leather decorated with band patches and metal studs, and by contributing to metal publications since the early 1980s.

The metal scene, like the rock scene in general, is associated with alcohol (especially beer), tobacco and drug use, as well as riding motorcycles and having many tattoos. While there are songs that celebrate drinking, smoking, drug use, having tattoos and partying, there are also many songs that warn about the dangers of those activities. The metal fan base was traditionally working class, white and male in the 1970s, and since the 1980s, more female fans have developed an interest in the style. Metal culture has also grown more popular among African Americans and other groups in recent times.

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Tattoo in the context of Mehndi

Mehndi or mehendi is a form of temporary skin decoration using a paste created with henna. In the West, mehndi is commonly known as henna tattoo, although it is not a permanent tattoo.

Mehndi is a popular form of body art in South Asia and resembles similar traditions of henna as body art found in North Africa, East Africa and the Middle East. There are many different names for mehndi across the languages of South Asia.

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Tattoo in the context of Five dots tattoo

The five dots tattoo is a tattoo of five dots arranged in a quincunx, usually on the outer surface of the hand, between the thumb and the index finger.

The tattoo has different meanings in different cultures—it has been variously interpreted as a fertility symbol, a reminder of sayings on how to treat women or police, a way members of People Nation or Nuestra Familia affiliated gangs identify themselves (People gangs use the number five, while Folk Nation gangs use six), a recognition symbol among the Romani people, a group of close friends, standing alone in the world, or time spent in prison (with the outer four dots representing the prison walls and the inner dot representing the prisoner).

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Tattoo in the context of Tattoo ink

Tattoo inks consist of pigments combined with a carrier, used in the process of tattooing to create a tattoo in the skin. These inks are also used for permanent makeup, a form of tattoo.

Professional tattoo inks are available in many colors and use a wide variety of pigments, including inorganic pigments, such as carbon black, and synthetic organic pigments, such as brightly colored azo-chemicals. Commercial manufacturers combine pigments with carriers such as ethyl alcohol or distilled water to create liquid inks. They may include preservatives to reduce risk of contamination and other additives to adjust the viscosity of the ink.

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Tattoo in the context of Nam Cương

The Âu Việt or Ouyue (Chinese: ) were an ancient conglomeration of Baiyue tribes living in what is today the mountainous regions of northernmost Vietnam, western Guangdong, and northern Guangxi, China, since at least the third century BCE. They were believed to have belonged to the Tai-Kadai language group. In eastern China, the Ouyue established the Dong'ou or Eastern Ou kingdom. The Western Ou (西; pinyin: Xī Ōu; Tây meaning "western") were other Baiyue tribes, with short hair and tattoos, who blackened their teeth and are the ancestors of the modern upland Tai-speaking minority groups in Vietnam such as the Nùng and Tay, as well as the closely related Zhuang people of Guangxi.

The Âu Việt traded with the Lạc Việt, the inhabitants of the state of Văn Lang, located in the lowland plains to Âu Việt's south, in what is today the Red River Delta of northern Vietnam, until 258 or 257 BCE, when Thục Phán, the leader of an alliance of Âu Việt tribes, invaded Văn Lang and defeated the last Hùng king. He named the new nation "Âu Lạc", proclaiming himself "An Dương Vương" (literally "Peaceful Virile King"). The origins of Thục Phán are uncertain. According to traditional Vietnamese historiography, he was the prince or king of the Kingdom of Shu (in modern Sichuan). However the kingdom of Shu was conquered by the Qin in 316 BCE, making it chronologically improbable that Thục Phán was Shu royalty a hundred years later. There may be some merit to the story due to archaeological evidence of cultural ties between Yunnan and the Proto-Vietnamese, but possibly as a result of the gap in time between the origin of the story and when it was recorded, the location could have been changed to Shu or simply mistaken due to erroneous geographical knowledge. According to a translated oral account of a Tày legend, the western part of Âu Việt's land became the Nam Cương Kingdom, whose capital was located in what is today the Cao Bằng Province of Northeast Vietnam. It was there that Thục Phán hailed from. The authenticity of this account is considered suspect by some historians. It was published in 1963 as a translation while no extant copy of the original Tày text exists. The title of the story contains many Vietnamese words with slight tonal and spelling differences rather than Tai words. It is uncertain what text the translation originated from.

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