Targowica Confederation in the context of "Polish Constitution of May 3, 1791"

The Partitions of Poland were three partitions of the Polish–Lithuanian Commonwealth that took place between 1772 and 1795, toward the end of the 18th century. They ended the existence of the state, resulting in the elimination of sovereign Poland and Lithuania for 123 years. The partitions were conducted by the Habsburg monarchy, the Kingdom of Prussia, and the Russian Empire, which divided up the Commonwealth lands among themselves progressively in the process of territorial seizures and annexations.

The First Partition was decided on August 5, 1772, after the Bar Confederation lost the war with Russia. The Second Partition occurred in the aftermath of the Polish–Russian War of 1792 and the Targowica Confederation when Russian and Prussian troops entered the Commonwealth and the partition treaty was signed during the Grodno Sejm on January 23, 1793 (without Austria). The Third Partition took place on October 24, 1795, in reaction to the unsuccessful Polish Kościuszko Uprising the previous year. With this partition, the Commonwealth ceased to exist.

The Constitution of 3 May 1791, titled the Government Act, was a written constitution for the Polish–Lithuanian Commonwealth that was adopted by the Great Sejm that met between 1788 and 1792. The Commonwealth was a dual monarchy comprising the Crown of the Kingdom of Poland and the Grand Duchy of Lithuania; the new constitution was intended to address political questions following a period of political agitation and gradual reform that began with the Convocation Sejm of 1764 and the election that year of the Commonwealth's last monarch, Stanisław August Poniatowski. It was the first codified, modern constitution (possessing checks and balances and a tripartite separation of powers) in Europe and the second in the world, after that of the United States.

The Constitution sought to implement a more effective constitutional monarchy, introduced political equality between townspeople and nobility, and placed the peasants under the government's protection, mitigating the worst abuses of serfdom. It banned pernicious parliamentary institutions such as the liberum veto, which had put the Sejm at the mercy of any single deputy, who could veto and thus undo all the legislation adopted by that Sejm. The Commonwealth's neighbours reacted with hostility to the adoption of the Constitution. King Frederick William II of Prussia broke the Prussian alliance with the Commonwealth, joining with Imperial Russia under Catherine the Great and the anti-reform Targowica Confederation of Polish-Lithuanian magnates, to defeat the Commonwealth in the Polish–Russian War of 1792.

The 1793 Second Partition of Poland was the second of three partitions (or partial annexations) that ended the existence of the Polish–Lithuanian Commonwealth by 1795. The second partition occurred in the aftermath of the Polish–Russian War of 1792 and the Targowica Confederation of 1792, and was approved by its territorial beneficiaries, the Russian Empire and the Kingdom of Prussia. The division was ratified by the coerced Polish parliament (Sejm) in 1793 (see the Grodno Sejm) in a short-lived attempt to prevent the inevitable complete annexation of Poland, the Third Partition.

The Polish–Russian War of 1792 (also, War of the Second Partition, and in Polish sources, War in Defence of the Constitution) was fought between the Polish–Lithuanian Commonwealth on one side, and the Targowica Confederation (conservative nobility of the Commonwealth opposed to the new Constitution of 3 May 1791) and the Russian Empire under Catherine the Great on the other.

The war took place in two theaters: a northern in Lithuania and a southern in what is now Ukraine. In both, the Polish forces retreated before the numerically superior Russian forces, though they offered significantly more resistance in the south, thanks to the effective leadership of Polish commanders Prince Józef Poniatowski and Tadeusz Kościuszko. During the three-month-long struggle several battles were fought, but no side scored a decisive victory. The largest success of the Polish forces was the defeat of one of the Russian formations at the Battle of Zieleńce on 18 June; in the aftermath of the battle the Polish highest military award, Virtuti Militari, was established. The Russians' greatest success in this war was the Battle of Mir on 11 June (O.S. 31 May). The war ended when the Polish King Stanisław August Poniatowski decided to seek a diplomatic solution, asked for a ceasefire with the Russians and joined the Targowica Confederation, as demanded by the Russian Empire.

The Kościuszko Uprising, also known as the Polish Uprising of 1794, Second Polish War, Polish Campaign of 1794, and the Polish Revolution of 1794, was an uprising against the Russian and Prussian influence on the Polish–Lithuanian Commonwealth, led by Tadeusz Kościuszko in Poland-Lithuania and the Prussian partition in 1794. It was a failed attempt to liberate the Polish–Lithuanian Commonwealth from external influence after the Second Partition of Poland (1793) and the creation of the Targowica Confederation.

Rejtan, or the Fall of Poland (Polish: Rejtan. Upadek Polski) is an oil painting by the Polish artist Jan Matejko, finished in 1866, depicting the protest of Tadeusz Rejtan (lower right) against the First Partition of Poland during the Partition Sejm of 1773. Tadeusz Rejtan was a member of the Polish–Lithuanian Commonwealth's Sejm, known for his opposition to the First Partition of Poland in 1773 by physically trying to prevent delegates from leaving the chamber to stop the ratification of the partition. The Sejm was heavily influenced by foreign powers, with delegates being bribed or threatened, while Russia, Prussia, and Austria justified their annexation of Polish territory as a response to the internal conflicts of the Bar Confederation.

Jan Matejko's composition depicts the scene in the manner of academic history painting, placing Rejtan in a central position with a dramatic gesture, surrounded by figures who appear complicit with the foreign demands, including members of the future Targowica Confederation and Russian ambassador Nicholas Repnin. Despite causing controversy and receiving mixed reviews at the time of its initial display to the public in 1866, Matejko's work was later recognized for its cultural significance in Poland, depicting themes of political resistance and critique. Emperor Franz Joseph I of Austria subsequently acquired the painting, which was displayed in Vienna until 1920.

Jean-Pierre Norblin de La Gourdaine (Polish: Jan Piotr Norblin; 15 July 1745 – 23 February 1830) was a French painter, draughtsman, engraver and caricaturist. Born in France, from 1774 to 1796 he resided in Poland.

He is considered one of the most important painters of the Enlightenment in Poland. He achieved great success in Poland. Given many commissions from some of the most notable families of the country, he stayed there for many years. His style showed the influence of Antoine Watteau, and combined the Rococo tradition of charming fêtes galantes and fêtes champêtres with a panorama of daily life and current political events, captured with journalistic accuracy. He created a gallery of portraits of representatives of all social classes in the last years of the Polish–Lithuanian Commonwealth.