Tapestry in the context of "Objet d'art"

Play Trivia Questions online!

or

Skip to study material about Tapestry in the context of "Objet d'art"

Ad spacer

⭐ Core Definition: Tapestry

Tapestry is a form of textile art which was traditionally woven by hand on a loom. Normally it is used to create images rather than patterns. Tapestry is relatively fragile, and difficult to make, so most historical pieces are intended to hang vertically on a wall (or sometimes in tents), or sometimes horizontally over a piece of furniture such as a table or bed. Some periods made smaller pieces, often long and narrow and used as borders for other textiles. Most weavers use a natural warp thread, such as wool, linen, or cotton. The weft threads are usually wool or cotton but may include silk, gold, silver, or other alternatives.

In late medieval Europe, tapestry was the grandest and most expensive medium for figurative images in two dimensions, and despite the rapid rise in importance of painting it retained this position in the eyes of many Renaissance patrons until at least the end of the 16th century, if not beyond. The European tradition continued to develop and reflect wider changes in artistic styles until the French Revolution and Napoleonic Wars, before being revived on a smaller scale in the 19th century.

↓ Menu

>>>PUT SHARE BUTTONS HERE<<<

👉 Tapestry in the context of Objet d'art

In art history, the French term objet d'art (/ˌɒbʒ ˈdɑːr/ ; French pronunciation: [ɔbʒɛ daʁ]) describes an ornamental work of art, and the term objets d’art describes a range of works of art, usually small and three-dimensional, made of high-quality materials, and a finely-rendered finish that emphasises the aesthetics of the artefact. Artists create and produce objets d’art in the fields of the decorative arts and metalwork, porcelain and vitreous enamel; figurines, plaquettes, and engraved gems; ivory carvings and semi-precious hardstone carvings; tapestries, antiques, and antiquities; and books with fine bookbinding.

The National Maritime Museum, Greenwich, London, describes their accumulated artworks as a: "collection of objets d’art [which] comprises over 800 objects. These are mostly small, decorative art items that fall outside the scope of the Museum’s ceramic, plate, textiles and glass collections." The artwork collection also includes metal curtain ties, a lacquered papier-maché tray, tobacco boxes, cigarette cases, découpage (cut-paper items), portrait miniatures, a gilt-brass clock finial, plaques, statuettes, plaquettes, a horse brass, a metal pipe tamper, a small glass painting, et cetera.

↓ Explore More Topics
In this Dossier

Tapestry in the context of Pieter Isaacsz

Pieter Isaacsz (ca 1569, Helsingør – 14 September 1625) was a Danish court and portrait painter from Dutch origin who worked in a mannerist style on historical, biblical and mythological subjects. He was also a tapestry designer and art-dealer who spied for both the Netherlands, Denmark, and, eventually, for Sweden.

↑ Return to Menu

Tapestry in the context of Clotho

Clotho (/ˈklθ/ ; Greek: Κλωθώ) or Klotho, is a mythological figure. She was one of the Three Fates or Moirai. In ancient Greek mythology, she spins the thread of human life while her sisters draw out (Lachesis) and cut (Atropos) the thread. She is generally considered the youngest of the three Fates, although in some later sources, such as Giovanni Boccaccio’s Genealogia Deorum Gentilium, she is described as the eldest among the Moirai. She also made major decisions, such as when a person was born, thus in effect controlling people's lives. This power enabled her not only to choose who was born, but also to decide when deities or mortals were to be saved or put to death. For example, Clotho resurrected Pelops when his father killed him. Her Roman equivalent is Nona.

As one of the three fates, her influence in Greek mythology was significant. Along with her sisters and Hermes, Clotho was given credit for creating the alphabet for their people. Even though Clotho and her sisters were worshiped as goddesses, their representation of fate is more central to their role in mythology. Thread represented human life and her decisions represented the fate of all people in society.

↑ Return to Menu

Tapestry in the context of Loom

A loom is a device used to weave cloth and tapestry. The basic purpose of any loom is to hold the warp threads under tension to facilitate the interweaving of the weft threads. The precise shape of the loom and its mechanics may vary, but the basic function is the same.

↑ Return to Menu

Tapestry in the context of Early Netherlandish painting

Early Netherlandish painting is the body of work by artists active in the Burgundian and Habsburg Netherlands during the 15th- and 16th-century Northern Renaissance period, once known as the Flemish Primitives. It flourished especially in the cities of Bruges, Ghent, Mechelen, Leuven, Tournai and Brussels, all in present-day Belgium. The period begins approximately with Robert Campin and Jan van Eyck in the 1420s and lasts at least until the death of Gerard David in 1523, although many scholars extend it to the beginning of the Dutch Revolt in 1566 or 1568 – Max J. Friedländer's acclaimed surveys run through Pieter Bruegel the Elder. Early Netherlandish painting coincides with the Early and High Italian Renaissance, but the early period (until about 1500) is seen as an independent artistic evolution, separate from the Renaissance humanism that characterised developments in Italy. Beginning in the 1490s, as increasing numbers of Netherlandish and other Northern painters traveled to Italy, Renaissance ideals and painting styles were incorporated into northern painting. As a result, Early Netherlandish painters are often categorised as belonging to both the Northern Renaissance and the Late or International Gothic.

The major Netherlandish painters include Campin, van Eyck, Rogier van der Weyden, Dieric Bouts, Petrus Christus, Hans Memling, Hugo van der Goes and Hieronymus Bosch. These artists made significant advances in natural representation and illusionism, and their work typically features complex iconography. Their subjects are usually religious scenes or small portraits, with narrative painting or mythological subjects being relatively rare. Landscape is often richly described but relegated as a background detail before the early 16th century. The painted works are generally oil on panel, either as single works or more complex portable or fixed altarpieces in the form of diptychs, triptychs or polyptychs. The period is also noted for its sculpture, tapestries, illuminated manuscripts, stained glass and carved retables.

↑ Return to Menu

Tapestry in the context of Cartoon

A cartoon is a type of visual art that is typically drawn, frequently animated, in an unrealistic or semi-realistic style. The specific meaning has evolved, but the modern usage usually refers to either: an image or series of images intended for satire, caricature, or humor; or a motion picture that relies on a sequence of illustrations for its animation. Someone who creates cartoons in the first sense is called a cartoonist, and in the second sense they are usually called an animator.

The concept originated in the Middle Ages, and first described a preparatory drawing for a piece of art, such as a painting, fresco, tapestry, or stained glass window. In the 19th century, beginning in Punch magazine in 1843, cartoon came to refer – ironically at first – to humorous artworks in magazines and newspapers. Then it also was used for political cartoons and comic strips. When the medium developed, in the early 20th century, it began to refer to animated films that resembled print cartoons.

↑ Return to Menu

Tapestry in the context of Lachesis (mythology)

Lachesis (/ˈlækɪsɪs/ LAK-iss-iss; Ancient Greek: Λάχεσις, romanizedLákhesis, lit.'disposer of lots'; from λαγχάνω lanchánō, 'to obtain by lot, by fate, or by the will of the gods'), in ancient Greek religion, was the middle of the Three Fates, or Moirai, alongside her sisters Clotho and Atropos. Normally seen clothed in white, Lachesis is the measurer of the thread spun on Clotho's spindle, and in some texts, determines Destiny. Her Roman equivalent was Decima. Lachesis apportioned the thread of life, determining the length of each lifespan. She measured the thread of life with her rod and is also said to choose a person's destiny during the measurement. Myths attest that she and her sisters appear within three days of a baby's birth to decide the child's fate.

↑ Return to Menu

Tapestry in the context of Gobelins Manufactory

The Gobelins Manufactory (French: Manufacture des Gobelins) is a historic tapestry factory in Paris, France. It is located at 42 avenue des Gobelins, near Les Gobelins métro station in the 13th arrondissement of Paris. It was originally established on the site as a medieval dyeing business by the family Gobelin.

↑ Return to Menu