Tam-tam in the context of Dong Son culture


Tam-tam in the context of Dong Son culture

⭐ Core Definition: Tam-tam

A gong is a percussion instrument originating from Southeast Asia, and used widely in Southeast Asian and East Asian musical traditions. Gongs are made of metal and are circular and flat or bowl-like in shape, and can come in various sizes. They are typically struck with a mallet. They can be played alone, giving a characteristic "crashing" sound, or played as part of a tuned set that produce bell-like sounds.

The earliest possible depictions of gongs is from the details on the surface of the Ngọc Lũ I bronze drum (c. 3rd to 2nd century BC) from the Dong Son culture of northern Vietnam. It depicts what looks like seven-gong ensembles along with other instruments (including cymbals/bells and the bronze drums themselves). The oldest undisputed historical mention of gongs can be found in sixth century AD Chinese records, which mentioned it as a foreign instrument that came from a country between Tibet and Burma. The term gong (Javanese: ꦒꦺꦴꦁ) originated in the Indonesian island of Java. Scientific and archaeological research has established that Annam, Java, Burma, and Southern China were the four main gong manufacturing centres of the ancient world. The gong found its way into the Western World in the 18th century, when it was also used in the percussion section of a Western-style symphony orchestra. A form of bronze cauldron gong known as a resting bell was widely used in ancient Greece and Rome: for instance in the famous Oracle of Dodona, where disc gongs were also used.

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Tam-tam in the context of Orchestra

An orchestra (/ˈɔːrkɪstrə/ ; OR-ki-strə) is a large instrumental ensemble typical of classical music, which combines instruments from different families. There are typically four main sections of instruments:

Other instruments such as the piano, harpsichord, pipe organ, and celesta may sometimes appear in a fifth keyboard section or may stand alone as soloist instruments, as may the concert harp and, for performances of some modern compositions, electronic instruments, and guitars.

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Tam-tam in the context of Inharmonicity

In music, inharmonicity is the degree to which the frequencies of overtones (also known as partials or partial tones) depart from whole multiples of the fundamental frequency (harmonic series).

Acoustically, a note perceived to have a single distinct pitch in fact contains a variety of additional overtones. Many percussion instruments, such as cymbals, tam-tams, and chimes, create complex and inharmonic sounds.

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