Talkies in the context of Chronomégaphone


Talkies in the context of Chronomégaphone

⭐ Core Definition: Talkies

A sound film is a motion picture with synchronized sound, or sound technologically coupled to image, as opposed to a silent film. The first known public exhibition of projected sound films took place in Paris in 1900, but decades passed before sound motion pictures became commercially practical. Reliable synchronization was difficult to achieve with the early sound-on-disc systems, and amplification and recording quality were also inadequate. Innovations in sound-on-film led to the first commercial screening of short motion pictures using the technology, which took place in 1923. Before sound-on-film technology became viable, soundtracks for films were commonly played live with organs or pianos.

The primary steps in the commercialization of sound cinema were taken in the mid-to-late 1920s. At first, the sound films which included synchronized dialogue, known as "talking pictures", or "talkies", were exclusively shorts. The earliest feature-length movies with recorded sound included only music and effects. The first feature film originally presented as a talkie (although it had only limited sound sequences) was The Jazz Singer, which premiered on October 6, 1927. A major hit, it was made with Vitaphone, which was at the time the leading brand of sound-on-disc technology. Sound-on-film, however, would soon become the standard for talking pictures.

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Talkies in the context of Alexander Korda

Sir Alexander Korda (/ˈkɔːrdə/; born Sándor László Kellner; Hungarian: Korda Sándor; 16 September 1893 – 23 January 1956) was a Hungarian–born British film director, producer, and screenwriter, who founded his own film production studios and film distribution company.

Born in Hungary, where he began his career, he worked briefly in the Austrian and German film industries during the era of silent films, before being based in Hollywood from 1926 to 1930 for the first of his two brief periods there (the other was during World War II). The change led to a divorce from his first wife, the Hungarian film actress María Corda, who was unable to make the transition from silent films to "talkies" because of her Hungarian accent.

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Talkies in the context of Sonya Levien

Sonya Levien (born Sara Opesken; 25 December 1888 – 19 March 1960) was a Russian-born American screenwriter. She became one of the highest earning female screenwriters in Hollywood in the 1930s and would help a number of directors and film stars transition from silent films to talkies. In 1955 she received an Academy Award for her screenplay Interrupted Melody.

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Talkies in the context of Arab cinema

Arab cinema or Arabic cinema (Arabic: السينما العربية, romanizedal-sīnemā al-ʿArabīyah) refers to the film industry of the Arab world. Most productions come from Egyptian cinema, and Cairo has been the capital of film industry in the Arab world since the early 20th century to the present day.

The first screening of a motion picture in Egypt occurred in Alexandria in 1896 by the French Lumière Brothers. The Egyptian industry developed from silent movies to talkies, with musicals being the bulk of the productions in the 1930s and 1940s. Of the first Arab-produced films was the 1923 Egyptian film Barsoum Looking for a Job, and Laila, released in Egypt in 1927, while the first Arabic speaking film was Awlad El-Zawat, also released in Egypt in 1932. Studio Misr, founded in 1935, was the first national studio of its kind in the Arab world. The period from the late 1940s to 1960s has been described as "the golden age of Arab cinema", as Arab actors from across the Middle East headed to stardom in Cairo. During this period, notable actors included Hind Rostom, Mahmoud el-Meliguy, Anwar Wagdi, Feyrouz and Soad Hosny. In the 1950s, Egypt's cinema industry was the world's third largest. In 1952, the Egyptian Catholic Center for Cinema Festival was founded to become the first annual film festival in the Arab World. In 1976, the Cairo International Film Festival was established, becoming the first International film festival to be held in the Arab world. Egypt has also contributed to the action genre with actors such as Youssef Mansour who became famous in the 1990s for his martial arts films.

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Talkies in the context of Sound editor (filmmaking)

A sound editor is a creative professional responsible for selecting and assembling sound recordings in preparation for the final sound mixing or mastering of a television program, motion picture, video game, or any production involving recorded or synthetic sound. The sound editor works with the supervising sound editor. The supervising sound editor often assigns scenes and reels the sound editor based on the editor's strengths and area of expertise. Sound editing developed out of the need to fix the incomplete, undramatic, or technically inferior sound recordings of early talkies, and over the decades has become a respected filmmaking craft, with sound editors implementing the aesthetic goals of motion picture sound design.

The Academy of Motion Picture Arts and Sciences recognizes the artistic contribution of exceptional sound editing with the Academy Award for Best Sound Editing.

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