Taj Mahal in the context of Stonework


Taj Mahal in the context of Stonework

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⭐ Core Definition: Taj Mahal

The Taj Mahal (/ˌtɑː məˈhɑːl, ˌtɑːʒ -/ TAHJ mə-HAHL, TAHZH -⁠; Hindustani: [taːdʒ ˈmɛɦ(ɛ)l]; lit.'Crown of the Palace') is an ivory-white marble mausoleum on the right bank of the river Yamuna in Agra, Uttar Pradesh, India. It was commissioned in 1631 by the fifth Mughal emperor, Shah Jahan (r. 1628–1658), to house the tomb of his beloved wife, Mumtaz Mahal; it also houses the tomb of Shah Jahan himself. The tomb is the centrepiece of a 17-hectare (42-acre) complex, which includes a mosque and a guest house, and is set in formal gardens bounded on three sides by a crenellated wall.

Construction of the mausoleum was completed in 1648, but work continued on other phases of the project for another five years. The first ceremony held at the mausoleum was an observance by Shah Jahan, on 6 February 1643, of the 12th anniversary of the death of Mumtaz Mahal. The Taj Mahal complex is believed to have been completed in its entirety in 1653 at a cost estimated at the time to be around 32 million, which in 2015 would be approximately 52.8 billion (US$827 million).

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Taj Mahal in the context of Indo-Persian culture

Indo-Persian culture refers to a cultural synthesis present on the Indian subcontinent. It is characterised by the absorption or integration of Persian aspects into the various cultures of modern-day republics of Bangladesh, India, and Pakistan. The earliest introduction of Persian influence and culture to the subcontinent was by various Muslim Turko-Persian rulers, such as the 11th-century Sultan Mahmud Ghaznavi, rapidly pushed for the heavy Persianization of conquered territories in northwestern Indian subcontinent, where Islamic influence was also firmly established. This socio-cultural synthesis arose steadily through the Delhi Sultanate from the 13th to 16th centuries, and the Mughal Empire from then onwards until the 19th century. Various dynasties of Turkic, Iranian and local Indian origin patronized the Persian language and contributed to the development of a Persian culture in India. The Delhi Sultanate developed their own cultural and political identity which built upon Persian and Indic languages, literature and arts, which formed the basis of an Indo-Muslim civilization.

Persian was the official language of most Muslim dynasties in the Indian subcontinent, such as the Delhi Sultanate, the Kashmir Sultanate, the Bengal Sultanate, the Mughal Empire and their successor states, and the Sikh Empire. It was also the dominant cultured language of poetry and literature. Many of the Sultans and nobility in the Sultanate period were Persianised Turks from Central Asia who spoke Turkic languages as their mother tongues. The Mughals were also culturally Persianised Central Asians (of Turko-Mongol origin on their paternal side), but spoke Chagatai Turkic as their first language at the beginning, before eventually adopting Persian. Persian became the preferred language of the Muslim elite of northern India. Muzaffar Alam, a noted scholar of Mughal and Indo-Persian history, suggests that Persian became the official lingua franca of the Mughal Empire under Akbar for various political and social factors due to its non-sectarian and fluid nature. The influence of these languages led to a vernacular called Hindustani that is the direct ancestor language of today's HindiUrdu varieties.

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Taj Mahal in the context of Stonemasonry

Stonemasonry or stonecraft is the creation of buildings, structures, and sculpture using stone as the primary material. Stonemasonry is the craft of shaping and arranging stones, often together with mortar and even the ancient lime mortar, to wall or cover formed structures.

The basic tools, methods and skills of the banker mason have existed as a trade for thousands of years. It is one of the oldest activities and professions in human history. Many of the long-lasting, ancient shelters, temples, monuments, artifacts, fortifications, roads, bridges, and entire cities were built of stone. Famous works of stonemasonry include Göbekli Tepe, the Egyptian pyramids, the Taj Mahal, Cusco's Incan Wall, Taqwesan, Easter Island's statues, Angkor Wat, Borobudur, Tihuanaco, Tenochtitlan, Persepolis, the Parthenon, Stonehenge, the Great Wall of China, the Mesoamerican pyramids, Chartres Cathedral, and the Stari Most.

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Taj Mahal in the context of Mausoleum

A mausoleum is an external free-standing building constructed as a monument enclosing the burial chamber of a deceased person or people. A mausoleum without the person's remains is called a cenotaph. A mausoleum may be considered a type of tomb, or the tomb may be considered to be within the mausoleum.

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Taj Mahal in the context of Church monument

Funerary art is any work of art forming, or placed in, a repository for the remains of the dead. The term encompasses a wide variety of forms, including cenotaphs ("empty tombs"), tomb-like monuments which do not contain human remains, and communal memorials to the dead, such as war memorials, which may or may not contain remains, and a range of prehistoric megalithic constructs. Funerary art may serve many cultural functions. It can play a role in burial rites, serve as an article for use by the dead in the afterlife, and celebrate the life and accomplishments of the dead, whether as part of kinship-centred practices of ancestor veneration or as a publicly directed dynastic display. It can also function as a reminder of the mortality of humankind, as an expression of cultural values and roles, and help to propitiate the spirits of the dead, maintaining their benevolence and preventing their unwelcome intrusion into the lives of the living.

The deposit of objects with an apparent aesthetic intention is found in almost all cultures – Hindu culture, which has little, is a notable exception. Many of the best-known artistic creations of past cultures – from the Egyptian pyramids and the Tutankhamun treasure, to the Terracotta Army surrounding the tomb of Qin Shi Huang, the Mausoleum of Halicarnassus, the Sutton Hoo ship burial and the Taj Mahal – are tombs or objects found in and around them. In most instances, specialized funeral art was produced for the powerful and wealthy, although the burials of ordinary people might include simple monuments and grave goods, usually from their possessions.

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Taj Mahal in the context of Agra

Agra (/ˈæɡrə/; Hindi: Āgrā, pronounced [ˈaːɡɾaː] ) is a city on the banks of the Yamuna river in the Indian state of Uttar Pradesh, about 230 kilometres (140 mi) south-east of the national capital Delhi and 330 km west of the state capital Lucknow. It is also the part of Braj region. With a population of roughly 1.6 million, Agra is the fourth-most populous city in Uttar Pradesh and twenty-third most populous city in India.

Agra's notable historical period began during Sikandar Khan Lodi's reign, but the golden age of the city began with the Mughals in the early 16th century. Agra was the foremost city of the Indian subcontinent and the capital of the Mughal Empire under Mughal emperors Babur, Humayun, Akbar, Jahangir and Shah Jahan. Under Mughal rule, Agra became a centre for learning, arts, commerce, and religion, and saw the construction of the Agra Fort, Sikandra and Agra's most prized monument, the Taj Mahal, constructed between 1632 and 1648 by Shah Jahan in remembrance of his wife Mumtaz Mahal. With the decline of the Mughal empire in the late 18th century, the city fell successively first to Marathas and later to the East India Company. After Independence, Agra has developed into an industrial town, with a booming tourism industry, along with footwear, leather and other manufacturing. The Taj Mahal and the Agra Fort are UNESCO World Heritage Sites. The city features mild winters, hot and dry summers and a monsoon season, and is famous for its Mughlai cuisine. Agra is included on the Golden Triangle tourist circuit, along with Delhi and Jaipur; and the Uttar Pradesh Heritage Arc, a tourist circuit of Uttar Pradesh, along with Lucknow and Varanasi.

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Taj Mahal in the context of Finial

A finial (from Latin finis 'end') or hip-knob is an element marking the top or end of some object, often formed to be a decorative feature.

In architecture, it is a small decorative device, employed to emphasize the apex of a dome, spire, tower, roof, or gable or any of various distinctive ornaments at the top, end, or corner of a building or structure. A finial is typically carved in stone. Where there are several such elements they may be called pinnacles. The very top of a finial can be a floral or foliated element called a bouquet.

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Taj Mahal in the context of New 7 Wonders of the World

The New 7 Wonders of the World was a campaign started in 2001 to choose Wonders of the World from a selection of 200 existing monuments. The popularity poll via free web-based voting and telephone voting was led by Canadian-Swiss Bernard Weber and organized by the New 7 Wonders Foundation (N7W) based in Zurich, Switzerland, with winners announced on 7 July 2007 at Estádio da Luz in Lisbon. The poll was considered unscientific partly because it was possible for people to cast multiple votes. According to John Zogby, founder and current President/CEO of the US polling organization Zogby International, New 7 Wonders Foundation drove "the largest poll on record".

The program drew a wide range of official reactions. Some countries touted their finalist and tried to get more votes cast for it, while others downplayed or criticized the contest. After supporting the New 7 Wonders Foundation at the beginning of the campaign by providing advice on nominee selection, the United Nations Educational, Scientific, and Cultural Organization (UNESCO), bound by its bylaws to record and give equal status to all World Heritage Sites, distanced itself from the undertaking in 2001 and again in 2007.

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Taj Mahal in the context of Tomb of I'timād-ud-Daulah

Tomb of I'timād-ud-Daulah (I'timād-ud-Daulah Maqbara) is a Mughal mausoleum in the city of Agra in the Indian state of Uttar Pradesh. Often described as a "jewel box", sometimes called the "Bachcha Taj" or the "Baby Taj", the tomb of I'timād-ud-Daulah is often regarded as a draft of the Taj Mahal.

Along with the main building, the structure consists of numerous outbuildings and gardens. The tomb, built between 1622 and 1628, represents a transition between the first phase of monumental Mughal architecture – primarily built from red sandstone with marble decorations, as in Humayun's Tomb in Delhi and Akbar's tomb in Sikandra – to its second phase, based on white marble and pietra dura inlay, most elegantly realized in the Taj Mahal.

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Taj Mahal in the context of Shah Jahan

Shah Jahan I (Shahab-ud-Din Muhammad Khurram; 5 January 1592 – 22 January 1666), also called Shah Jahan the Magnificent, was the fifth Mughal Emperor from 1628 until his deposition in 1658. His reign marked the zenith of Mughal architectural and cultural achievements.

The third son of Jahangir (r. 1605–1627), Shah Jahan participated in the military campaigns against the Sisodia Rajputs of Mewar and the rebel Lodi nobles of the Deccan. After Jahangir's death in October 1627, Shah Jahan defeated his youngest brother Shahryar Mirza and crowned himself emperor in the Agra Fort. In addition to Shahryar, Shah Jahan executed most of his rival claimants to the throne. He commissioned many monuments, including the Red Fort, Shah Jahan Mosque and the famous Taj Mahal, where his favorite consort Mumtaz Mahal is entombed. In foreign affairs, Shah Jahan presided over the aggressive campaigns against the Deccan sultanates, the conflicts with the Portuguese, and the wars with the Safavids. He also suppressed several local rebellions and dealt with the devastating Deccan famine of 1630–32.

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Taj Mahal in the context of Agra Fort

The Agra Fort (Qila Agra) is a historical Mughal fort in the city of Agra, also known as Agra's Red Fort. Mughal emperor Humayun was crowned at this fort in 1530. It was later renovated by the Mughal emperor Akbar from 1565 and the present-day structure was completed in 1573. It served as the main residence of the rulers of the Mughal dynasty until 1638, when the capital was shifted from Agra to Delhi. It was also known as the "Lal-Qila" or "Qila-i-Akbari". Before being captured by the British, the last Indian rulers to have occupied it were the Marathas. In 1983, the Agra fort was inscribed as a UNESCO World Heritage Site because of its importance during Mughal rule. It is about 2.5 kilometers (1.6 mi) northwest of its more famous sister monument, the Taj Mahal. The fort can be more accurately described as a walled city. It was later renovated by Shah Jahan.

Like the rest of Agra, the history of Agra Fort prior to Mahmud of Ghazni's invasion is unclear. However, in the 15th century, the Chauhan‌ Rajputs ‌occupied ‌it. ‌Soon after, Agra assumed the status of capital when Sikandar Khan Lodi (1487–1517 CE) shifted‌ his‌ capital‌ from ‌Delhi and constructed a few buildings in the preexisting fort at Agra. After the first battle of Panipat (1526 CE), Mughals captured the fort and ruled from it. In 1530 CE, Humayun was crowned in it. The fort was given its present appearance during the reign of Akbar (1556–1605 CE). Later, this fort was under the rule of Jats ‌of Bharatpur for 13 years.

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Taj Mahal in the context of George Nathaniel Curzon, 1st Marquess Curzon of Kedleston

George Nathaniel Curzon, 1st Marquess Curzon of Kedleston (11 January 1859 – 20 March 1925), known as Lord Curzon (/ˈkɜːrzən/), was a British statesman, Conservative politician, explorer and writer who served as Viceroy of India from 1899 to 1905 and Foreign Secretary from 1919 to 1924.

Curzon was born in Derbyshire into an aristocratic family and educated at Eton College and Balliol College, Oxford, before entering Parliament in 1885. In the following years, he travelled extensively in Russia, Central Asia and the Far East, and published several books on the region in which he detailed his geopolitical outlook and underlined the perceived Russian threat to British control of India. In 1891, Curzon was named Under-Secretary of State for India, and in 1899 he was appointed Viceroy of India. During his tenure, he pursued a number of reforms of the British administration, attempted to address the British maltreatment of Indians, undertook the restoration of the Taj Mahal, and sent a British expedition to Tibet to counter Russian ambitions. In 1905, he presided over the partition of Bengal and came into conflict with Lord Kitchener over issues of military organisation. Unable to secure the backing of the government in London, he resigned later that year and returned to England.

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Taj Mahal in the context of Humayun's Tomb

Humayun's tomb (Persian: Maqbara-i Humayun) is the tomb of Mughal Emperor Humayun situated in Delhi, India. The tomb was commissioned by Humayun's first wife and chief consort, Empress Bega Begum under her patronage in 1558, and designed by Mirak Mirza Ghiyas and his son, Sayyid Muhammad, Persian architects chosen by her. It was the first garden-tomb on the Indian subcontinent, and is located in Nizamuddin East, Delhi, close to the Dina-panah Citadel, also known as Purana Qila (Old Fort), that Humayun found in 1538. It was also the first structure to use red sandstone at such a scale. The tomb was declared a UNESCO World Heritage Site in 1993, and since then has undergone extensive restoration work, which is complete. Besides the main tomb enclosure of Humayun, several smaller monuments dot the pathway leading up to it, from the main entrance in the West, including one that even pre-dates the main tomb itself, by twenty years; it is the tomb complex of Isa Khan Niazi, an Afghan noble in Sher Shah Suri's court of the Sur Empire, who fought against the Mughals, constructed in 1547 CE.

The complex encompasses the main tomb of the Emperor Humayun, which houses the graves of Empress Bega Begum, Hajji Begum, and also Dara Shikoh, great-great-grandson of Humayun and son of the later Emperor Shah Jahan, as well as numerous other subsequent Mughals, including Emperor Jahandar Shah, Farrukhsiyar, Rafi Ul-Darjat, Rafi Ud-Daulat, Muhammad Kam Bakhsh and Alamgir II. It represented a leap in Mughal architecture, and together with its accomplished Charbagh garden, typical of Persian gardens, but never seen before in India, it set a precedent for subsequent Mughal architecture. It is seen as a clear departure from the fairly modest mausoleum of his father, the first Mughal Emperor, Babur, called Bagh-e Babur (Gardens of Babur) in Kabul (Afghanistan). Though the latter was the first Emperor to start the tradition of being buried in a paradise garden. Modelled on Gur-e Amir, the tomb of his ancestor and Asia's conqueror Timur in Samarkand, it created a precedent for future Mughal architecture of royal mausolea, which reached its zenith with the Taj Mahal, at Agra.

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Taj Mahal in the context of Red Fort

The Red Fort (Lal Qila in Hindi; Hindi pronunciation: [laːl 'qɪlaː]) is an historic Mughal fort located in the Old Delhi area of Delhi, India. It served as the main residence of the Mughal emperors. Commissioned by Emperor Shah Jahan on the 12th of May 1639, the fort was constructed following his decision to shift the Mughal capital from Agra to Delhi. Originally adorned in red and white, the fort's design is attributed to Ustad Ahmad Lahori, the architect of the Taj Mahal. The Red Fort is a prominent example of Mughal architecture from Shah Jahan's reign, combining Persian and Indian architectural styles.

During the invasion by Nadir Shah of the Afsharid Empire in 1739, the fort was plundered and stripped of its artwork and jewels. Following the Indian Rebellion of 1857, many of its marble structures were demolished by the British, although the defensive walls remained largely intact. The fort was later repurposed as a military garrison.

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Taj Mahal in the context of Gandava

Gandavah is a town that serves as the headquarters of Jhal Magsi District of Pakistan's Balochistan province. Located on a small hill in the middle of the Kach Gandava plain, Gandava is inhabited by a mix of Sindhi, Baloch, Pathan, Brahui, and Hindu communities. The town has a long history and several old architectural monuments including the Moti Gohram tomb, locally known as "the Taj Mahal of Baluchistan". Gandava also faces significant difficulties with needs like water, electricity, gas, healthcare, and education. As of the 2017 Census of Pakistan, Gandava Municipal Corporation has a population of 7,825 people, in 1,256 households, rising to 24,130 in 2023.

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Taj Mahal in the context of Mumtaz Mahal

Mumtaz Mahal (Persian pronunciation: [mum.ˈtɑːz ma.ˈhal]; lit.'The Exalted One of the Palace'; born Arjumand Banu Begum; 27 April 1593 – 17 June 1631) was the empress consort of Mughal Empire from 1628 to 1631 as the chief consort of the fifth Mughal emperor, Shah Jahan. The Taj Mahal in Agra, often cited as one of the Wonders of the World, was commissioned by her husband to act as her tomb.

Mumtaz Mahal was born Arjumand Banu Begum in Agra to a family of Persian nobility. She was the daughter of Abu'l-Hasan Asaf Khan, a wealthy Persian noble who held high office in the Mughal Empire, and the niece of Empress Nur Jahan, the chief consort of Emperor Jahangir and the power behind the emperor. Arjumand Banu was married at the age of 19 on 10 May 1612 or 16 June 1612 to Prince Khurram, later known by his regnal name Shah Jahan, who conferred upon her the title "Mumtaz Mahal" lit.'The Exalted One of the Palace'. Although betrothed to Shah Jahan since 1607, she ultimately became his second wife in 1612. Mumtaz and her husband had 14 children, including Jahanara Begum (Shah Jahan's favorite daughter), and the Crown prince Dara Shikoh, the heir-apparent, anointed by his father, who temporarily succeeded him until deposed by Mumtaz Mahal's sixth child, Aurangzeb, who ultimately succeeded his father as the sixth Mughal emperor in 1658.

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