Taiko in the context of Tsukiji Hongan-ji


Taiko in the context of Tsukiji Hongan-ji

⭐ Core Definition: Taiko

Taiko (太鼓) are a broad range of Japanese percussion instruments. In Japanese, the term taiko refers to any kind of drum, but outside Japan, it is used specifically to refer to any of the various Japanese drums called wadaiko (和太鼓, lit.'Japanese drums') and to the form of ensemble taiko drumming more specifically called kumi-daiko (組太鼓, lit.'set of drums'). The process of constructing taiko varies between manufacturers, and the preparation of both the drum body and skin can take several years depending on the method.

Taiko have a mythological origin in Japanese folklore, but historical records suggest that taiko were introduced to Japan through Chinese and Korean cultural influence as early as the 6th century CE; pottery from the Haniwa period depicting taiko drums has also been found. Some taiko are similar to instruments originating from India. Archaeological evidence also supports the view that taiko were present in Japan during the 6th century in the Kofun period. Their function has varied throughout history, ranging from communication, military action, theatrical accompaniment, religious ceremony and concert performances. In modern times, taiko have also played a central role in social movements for minorities both within and outside Japan.

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Taiko in the context of Percussion instrument

A percussion instrument is a musical instrument that is sounded by being struck or scraped by a beater including attached or enclosed beaters or rattles struck, scraped or rubbed by hand or struck against another similar instrument. Excluding zoomusicological instruments and the human voice, the percussion family is believed to include the oldest musical instruments. In spite of being a very common term to designate instruments, and to relate them to their players, the percussionists, percussion is not a systematic classificatory category of instruments, as described by the scientific field of organology. It is shown below that percussion instruments may belong to the organological classes of idiophone, membranophone, aerophone and chordophone.

The percussion section of an orchestra most commonly contains instruments such as the timpani, snare drum, bass drum, tambourine, belonging to the membranophones, and cymbals and triangle, which are idiophones. However, the section can also contain aerophones, such as whistles and sirens, or a blown conch shell. Percussive techniques can even be applied to the human body itself, as in body percussion. On the other hand, keyboard instruments, such as the celesta, are not normally part of the percussion section, but keyboard percussion instruments such as the glockenspiel and xylophone (which do not have piano keyboards) are included.

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Taiko in the context of Bunraku

Bunraku (文楽; Japanese pronunciation: [bɯꜜn.ɾa.kɯ]) is a form of traditional Japanese puppet theatre, founded in Osaka in the beginning of the 17th century, which is still performed in the modern day. Three kinds of performers take part in a bunraku performance: the Ningyōtsukai or Ningyōzukai (puppeteers), the tayū (chanters), and shamisen musicians. Occasionally other instruments such as taiko drums will be used.The combination of chanting and shamisen playing is called jōruri and the Japanese word for puppet (or dolls, generally) is ningyō. It is used in many plays.

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Taiko in the context of Yagura (tower)

Yagura (櫓, 矢倉) is the Japanese word for "tower", "turret", "keep", or "scaffold". The word is most often seen in reference to structures in Japanese castle compounds but can be used in other situations as well. The bandstand tower erected for Bon Festival is often called a yagura, as are similar structures used in other festivals. Yagura-daiko (taiko drumming from atop a yagura) is a traditional part of professional sumo competitions.

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