The Sampling Officials (Dutch: De Staalmeesters), also called Syndics of the Drapers' Guild (Dutch: De waardijns van het Amsterdamse lakenbereidersgilde), is a 1662 oil painting by Rembrandt. It is now in the Rijksmuseum in Amsterdam. It has been described as his "last great collective portrait".
The painting is a group portrait of five gentlemen from the Amsterdam cloth guild who were responsible for inspecting the cloth, along with their servant. They were not the regents of the guild but the wardens: two Catholics, a Mennonite, a Remonstrant, and a Reformed Protestant. Their one-year terms in office began on Good Friday and they were expected to conduct their inspections thrice weekly. It was an unpaid honorary position. To compare the quality of different batches of cloth, they used 'samples,' test pieces of fabric—hence their name, "staalmeesters" (masters of samples in Dutch). There were four grades of quality, the highest was indicated by pressing four seals and the lowest by pressing only one. The inspectors used pliers to press the seals of their city (front) and guild (reverse) into penny-sized slugs of lead that were specially affixed to record the results of the inspection. They met three times a week. The "staalmeesters" depicted performed their duties from Good Friday 1661 to Good Friday 1662. Van Doeyenburg acted as the chairman of the group. The open book likely concerns the guild's accounting records. For a long time it was thought that the man on the far right of the painting was holding a bag of stamps, but during the restoration in 1991 it was found to be a pair of gloves.