Symphony orchestra in the context of "Trombone"

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⭐ Core Definition: Symphony orchestra

An orchestra (/ˈɔːrkɪstrə/ ; OR-ki-strə) is a large instrumental ensemble typical of classical music, which combines instruments from different families. There are typically four main sections of instruments:

Other instruments such as the piano, harpsichord, pipe organ, and celesta may sometimes appear in a fifth keyboard section or may stand alone as soloist instruments, as may the concert harp and, for performances of some modern compositions, electronic instruments, and guitars.

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Symphony orchestra in the context of Singing

Singing is the art of creating music with the voice. It is the oldest form of musical expression, and the human voice can be considered the first musical instrument by some. The definition of singing varies across sources. Some sources define singing as the act of creating musical sounds with the voice. Other common definitions include "the utterance of words or sounds in tuneful succession" or "the production of musical tones by means of the human voice".

A person whose profession (or hobby) is singing is called a singer or a vocalist (in jazz or popular music). Singers perform music (arias, recitatives, songs, etc.) that can be sung with or without accompaniment by musical instruments. Singing is often done in an ensemble of musicians, such as a choir. Singers may perform as soloists or accompanied by anything from a single instrument (as in art songs or some jazz styles) up to a symphony orchestra or big band. Many styles of singing exist throughout the world.

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Symphony orchestra in the context of Gong

A gong is a percussion instrument originating from Southeast Asia, and used widely in Southeast Asian and East Asian musical traditions. Gongs are made of metal and are circular and flat or bowl-like in shape, and can come in various sizes. They are typically struck with a mallet. They can be played alone, giving a characteristic "crashing" sound, or played as part of a tuned set that produce bell-like sounds.

The earliest possible depictions of gongs is from the details on the surface of the Ngọc Lũ I bronze drum (c. 3rd to 2nd century BC) from the Dong Son culture of northern Vietnam. It depicts what looks like seven-gong ensembles along with other instruments (including cymbals/bells and the bronze drums themselves). The oldest undisputed historical mention of gongs can be found in sixth century AD Chinese records, which mentioned it as a foreign instrument that came from a country between Tibet and Burma. The term gong (Javanese: ꦒꦺꦴꦁ) originated in the Indonesian island of Java. Scientific and archaeological research has established that Annam, Java, Burma, and Southern China were the four main gong manufacturing centres of the ancient world. The gong found its way into the Western World in the 18th century, when it was also used in the percussion section of a Western-style symphony orchestra. A form of bronze cauldron gong known as a resting bell was widely used in ancient Greece and Rome: for instance in the famous Oracle of Dodona, where disc gongs were also used.

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Symphony orchestra in the context of Youth orchestra

A youth orchestra is an orchestra made of young musicians, typically ranging from pre-teens or teenagers to those of conservatory age. Depending on the age range and selectiveness, they may serve different purposes. Orchestras for young students have the primary purpose of music education, often led by a conductor who is also a music teacher. Some youth orchestras have been set up by professional symphony orchestras, both as a training ground for future players, and as part of their community outreach program. This is particularly common in the United States, examples including the San Francisco Symphony Youth Orchestra and the New York Youth Symphony.

While a professional orchestra will receive the parts and have a few days of rehearsal, and then play several performances, youth orchestras will typically rehearse the concert program over several months. This additional time gives the conductor to coach the orchestra and teach them how to learn the many skills required of an orchestral player, including instrumental techniques and ensemble playing.

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Symphony orchestra in the context of Pit orchestra

A pit orchestra is a type of orchestra that accompanies performers in musicals, operas, ballets, and other shows involving music. The term was also used for orchestras accompanying silent movies when more than a piano was used. In performances of operas and ballets, the pit orchestra is typically similar in size to a symphony orchestra, though it may contain smaller string and brass sections, depending upon the piece. Such orchestras may vary in size from approximately 30 musicians (early Baroque and Classical opera) to as many as 90–100 musicians (Wagnerian opera). However, because of financial, spatial, and volume concerns, current musical theatre pit orchestras are considerably smaller (20–30 musicians at most, including a maximum of around ten string players).

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Symphony orchestra in the context of Berlin Philharmonic

The Berlin Philharmonic (German: Berliner Philharmoniker) is a German symphony orchestra that is based in Berlin and was founded in 1882. It is one of the most popular, acclaimed and well-respected orchestras in the world. The orchestra is the recipient of numerous Grammy Awards, Gramophone Awards, Classic BRIT Awards, ECHO Music Prizes, Grand Prix Du Disque and Diapason d'Or.

The orchestra emerged from the Bilsesche Kapelle (“Bilse’s Band”) and rose to prominence under the leadership of pianist-conductor Hans von Bülow. During the 20th century, the orchestra was led by conductors Wilhelm Furtwängler (1922–45; 1952–54), Herbert von Karajan (1955–89), and Claudio Abbado (1989–2002). The orchestra’s early years, particularly during the later Nazi era, focused heavily on Classical music from the Austro-Germanic repertoire, featuring composers such as Beethoven, Brahms, Bruckner, Strauss, and Wagner. Under Furtwängler and Karajan, it became renowned for its distinctive sound and high-quality musicianship and toured widely. In the latter half of the 20th century, the orchestra broadened its repertoire to include more Classical, Romantic, and 20th-century works, as well as lesser-known compositions and music from outside the Austro-German tradition.

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Symphony orchestra in the context of Vanemuine

Vanemuine (lit.'Eldermost') is a theatre in Tartu, Estonia. It is the first Estonian-language theatre. Stemming from the Vanemuine Society (1865), the theatre's first performance was Lydia Koidula's Saaremaa Onupoeg ("The cousin from Saaremaa") at the society's fifth anniversary. In subsequent years, Vanemuine has expanded to include a symphony orchestra and ballet company, while its repertoire has included a range of operettas and music theatre through operas and dramas. Under Karl Menning, the theatre served a vocational purpose, with a great emphasis on educating future talent. Subsequent directors prioritized entertainment value, while Kaarel Ird—who led Vanemuine for more than forty years—oversaw a blend of genres as well as tours of the Soviet Union. In recent years, content has varied extensively.

Vanemuine has occupied a series of venues. The original Vanemuine Society House on Jaama Street operated for 33 years before being destroyed by fire in 1903. In 1906, it was replaced by a new hall designed by the Finnish architect Armas Lindgren at its current location. This venue was expanded in the 1930s to address technical issues, but destroyed by a bomb during World War II. Vanemuine returned in the former German Theatre of Dorpat in 1944; rebuilt after a 1983 fire, this theatre is today nicknamed the "little house". A 682-seat hall (the "big house") was completed in 1967, with the 842-seat Vanemuine Concert Hall following in 1970.

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